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Avoiding the pigeonhole of stereotypes during school years

I think that there was some stereotyping going on. I think that some of the teachers and some of the administrators in the schools saw many of the Sansei kids as good, quiet, smart Japanese kids who could do well in school, but might not, but should not be encouraged in other ways. For example, perhaps some of these administrators and teachers and counselors felt that Japanese Americans should pursue the sciences and math, and not perhaps the creative arts, or we should aspire to stay local, to go to USC and go to UCLA like everybody else did, but never dream of going to Stanford or Yale or Harvard.

So while I think back on it, and it was certainly a very safe environment, it was an environment where I felt that I could strive for excellence and be whatever I wanted to be. In some ways as I think about it, maybe it was kind of what you might call like a glass ceiling, like we talk about it today, where yes, you should be successful, but you're still Japanese American, so don't strive for too much.


career plateaus employment discrimination glass ceiling identity stereotypes

Date: March 23 & 24, 2000

Location: Washington, US

Interviewer: Margaret Chon, Alice Ito

Contributed by: Denshō: The Japanese American Legacy Project.

Interviewee Bio

Sansei female. Born 1955 in Los Angeles, CA. Grew up in Gardena, CA, surrounded by a large Japanese American community. Influenced by father's role in community and politics, and mother's emphasis on education. Attended University of California, Santa Barbara where she became increasingly aware of Japanese American history, issues of ethnic identity and racial inequality. Attended the University of San Francisco School of Law where she honed her commitment to political and social activism.

Only a few years out of law school, she joined a team of lawyers working to reopen the Supreme Court's 1944 decision in Korematsu v. United States. Convicted of violating the exclusion order during World War II, Mr. Korematsu's case went all the way to the Supreme Court where the exclusion and incarceration of Japanese Americans was upheld as constitutional, based on the government's argument of 'military necessity.' Through a petition for writ of error coram nobis (establishing that the case was premised on errors of fact withheld from the judge and the defense by the prosecution), the legal team reopened the case, provided evidence that the factual underpinnings to the exclusion orders were fraudulent, and successfully had the Korematsu conviction vacated, as well as a handful of other similar convictions. In this interview, Ms. Bannai discusses the coram nobis legal team, the support for the effort among the Japanese American community, and personal lessons gained from being a part of this effort. (March 24, 2000)

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Robert (Bob) Kiyoshi Okasaki

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FOB's

Hawaii born Nikkei living in Japan. English Teacher at YMCA.

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Venancio Shinki
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Venancio Shinki

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(b. 1932-2016) Peruvian painter

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Mike Shinoda
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(b. 1977) Musician, Producer, Artist

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PJ Hirabayashi

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Co-founder and creative director of San Jose Taiko

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Co-founder and creative director of San Jose Taiko

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Ann K. Nakamura

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Sansei from Hawaii living in Japan. Teacher and businesswoman.

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Robert (Bob) Kiyoshi Okasaki
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Robert (Bob) Kiyoshi Okasaki

Japanese influence growing up

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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PJ Hirabayashi
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PJ Hirabayashi

Diverse membership in San Jose Taiko

Co-founder and creative director of San Jose Taiko

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