Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/437/

Differences between American-born Japanese and Japanese from Japan

I think American-born Japanese people, they have more gesture talking. Totally, that’s a cultural difference. But that time, I was very much Japanese Japanese. So I eventually… You know, Johnny Mori, all those guys, had a hard time to talk to communicate [with] me. Those are American-born Japanese. And I’m from Japanese Japanese. So early ‘60s, yeah, maybe culture shock.


identity

Date: January 27, 2005

Location: California, US

Interviewer: Art Hansen, Sojin Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Grand Master Seiichi Tanaka, a shin-issei, was born in Tokyo, Japan in 1943. After graduating from Chiba University of Commerce, he moved to the United States in 1967. He worked as a farm laborer, picking strawberries in Watsonville, before moving to San Francisco. In 1968, he attended the San Francisco Japantown Cherry Blossom Festival. He was struck by the absence of taiko drumming—something he associated with the festivals of his youth in Japan. Inspired to action, he borrowed taiko from the local Buddhist Temple and gathered together some friends to perform at the 1968 Aki (Autumn) Matsuri in Japantown. He returned to Japan many times in the years following to study taiko so that he could pass on his knowledge to others.Tanaka Sensei built upon the taiko renaissance that had begun in Japan in the 1950s and established San Francisco Taiko Dojo, the first taiko dojo (school) in North America, in 1968. Since then, he has trained thousands of students.

Today there are more than 200 taiko groups in the United States and Canada, many of which trace their roots back to Grand Master Tanaka and his San Francisco Taiko Dojo. Tanaka continues to teach fundamental taiko rhythm patterns and movements that are based on the martial arts. Although his taiko style originates in the Japanese festival tradition, he has been influenced by his American experiences and blends traditional taiko rhythms with jazz, Latin, and other rhythms.

Tanaka Sensei has received Japan's Foreign Ministers Commendation and the National Endowment for the Arts' National Heritage Fellows Award in recognition of his work promoting the art of taiko. (January 27, 2005)

Kogiso,Mónica

Nihongo gakko - Preserving Japanese culture (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

Mizuki,Peter

Not wanting to stand out as a foreigner

Sansei Japanese American living in Japan and Kendo practioner

Yamasaki,Frank

Have compassion for all of humanity

(b. 1923) Nisei from Washington. Resisted draft during WWII.

Kogiso,Mónica

Identity crisis (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

(Jerome Charles White Jr.),Jero

Never sang Enka outside the family

(b. 1981) Enka Singer

Kansuma,Fujima

Both Japanese and American identities though Japanese dance

(1918-2023) Nisei Japanese kabuki dancer

Herzig,Aiko Yoshinaga

Results of being more American than Japanese

(1924-2018) Researcher, Activist

(Jerome Charles White Jr.),Jero

Trying to convey the meaning of the songs

(b. 1981) Enka Singer

Endo,Kenny

Internship on a Native American reservation in Arizona

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

Ota,Vince

Different tension between East Coast and Los Angeles

Japanese American Creative designer living in Japan

Sogi,Francis Y.

Meeting Japanese Americans from the mainland in MIS

(1923-2011) Lawyer, MIS veteran, founder of Francis and Sarah Sogi Foundation

Inoue,Enson

Sudden acceptance in Japanese society

(b. 1967) Hawai`i-born professional fighter in Japan

Inoue,Enson

Ring name: "Yamato Damashi"

(b. 1967) Hawai`i-born professional fighter in Japan