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Lack of taiko at Cherry Blossom Festival

First time, I saw the parade at that Japantown. I think dancers. Kimono, beautiful kimono, and walking nicely. So two nights, no noise. So, my town, when I was young, the taiko is very…only popular. So I always interested. And taiko, when they play, they move me. So that experience, through that experience, the Cherry Blossom Festival wasn’t exactly that festival feeling. So my friend also there, fresh off the boat—all fresh off the boat people get together—“Let’s make a Japanese festival.” Then my friend made a omikoshi, carry the mikoshi. Then I played drum to make noise just like a Japanese festival. That’s the beginning. I started 1968, Autumn festival. Parade and Japan Center area, I put it all over the place.


drum festivals mikoshi (portable shrine) parades religions religious processions Shinto taiko

Date: January 27, 2005

Location: California, US

Interviewer: Art Hansen, Sojin Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Grand Master Seiichi Tanaka, a shin-issei, was born in Tokyo, Japan in 1943. After graduating from Chiba University of Commerce, he moved to the United States in 1967. He worked as a farm laborer, picking strawberries in Watsonville, before moving to San Francisco. In 1968, he attended the San Francisco Japantown Cherry Blossom Festival. He was struck by the absence of taiko drumming—something he associated with the festivals of his youth in Japan. Inspired to action, he borrowed taiko from the local Buddhist Temple and gathered together some friends to perform at the 1968 Aki (Autumn) Matsuri in Japantown. He returned to Japan many times in the years following to study taiko so that he could pass on his knowledge to others.Tanaka Sensei built upon the taiko renaissance that had begun in Japan in the 1950s and established San Francisco Taiko Dojo, the first taiko dojo (school) in North America, in 1968. Since then, he has trained thousands of students.

Today there are more than 200 taiko groups in the United States and Canada, many of which trace their roots back to Grand Master Tanaka and his San Francisco Taiko Dojo. Tanaka continues to teach fundamental taiko rhythm patterns and movements that are based on the martial arts. Although his taiko style originates in the Japanese festival tradition, he has been influenced by his American experiences and blends traditional taiko rhythms with jazz, Latin, and other rhythms.

Tanaka Sensei has received Japan's Foreign Ministers Commendation and the National Endowment for the Arts' National Heritage Fellows Award in recognition of his work promoting the art of taiko. (January 27, 2005)

Nosuke Akiyama
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Nosuke Akiyama

Rediscovery of Japanese culture through taiko (Japanese)

Shishimai (Lion dance) and Taiko player with San Francisco Taiko Dojo.

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Etsuo Hongo
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Etsuo Hongo

The reason he came to the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

First taiko performance in the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Differences in taiko style (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Originality of each taiko group (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Benefits of living in the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Promoting group identity through taiko contests (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Taiko's sounds as Japanese cultural tradition (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Kenny Endo
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Kenny Endo

Differences between Kinnara and San Francisco Taiko Dojo

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

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Kenny Endo
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Kenny Endo

Being free of the tradition

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

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Kenny Endo
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Kenny Endo

Collaborating with non-taiko groups

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

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George Katsumi Yuzawa
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George Katsumi Yuzawa

Involvement in Nikkei community in New York City

(1915 - 2011) Nisei florist who resettled in New York City after WW II. Active in Japanese American civil rights movement

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Mas Kodani
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Mas Kodani

Changing the taiko rhythm from Japanese to Afro-Cuban

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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Mas Kodani
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Mas Kodani

Friction between Sensei and Kinnara in defining taiko

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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Mas Kodani
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Mas Kodani

American influences on Japanese taiko

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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