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Grappling

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I recently had the great privilege of being hosted as a George A. Miller Visiting Artist at the University of Illinois and thus being able to spend time with artists Jason Finkelman and his wife, dancer/choreographer Cynthia Oliver. We had an informal salon of sorts at their home and I was able to witness brief touches of their art, when we came to this poem, written by Jason, who is a Nikkei Jewish musician and artist in Urbana, Illinois. As I grapple somewhat with my own sense of wavering hope and staunch activism in light of the coming November election, I thought it fitting to share this reflection from 2016, through the eyes of a pro-peace parent of a multiracial child. Beyond worry or hope over how much can change in a moment of election, I wonder alongside this piece—how will we persist together, in community, as we reassure each other of our collective power, communal care and interconnected struggle?

— traci kato-kiriyama

* * * * *

Photo by Travis Stansel

Jason Finkelman combines laptop electronics and acoustic instrumentation to create a distinct ambient, avant-world sound. A specialist on the single string musical bow berimbau, Finkelman is a Philadelphia-born percussionist who performs on African and Brazilian instruments. His roots in improvised music include founding the NYC-based trio Straylight in 1992, decades of performances with genre-blurring improvisers and collaborative work with choreographer Cynthia Oliver. Finkelman currently leads the ever-evolving ensemble Kuroshio which released its eponymous CD on Asian Improv Records (2020).  In 2023 Finkelman curated for Spurlock Museum, “Nikkeijin Illinois,” an exhibition on the Japanese American experience told through profiles of former and current faculty and staff of the University of Illinois, including his own Yonsei story. Finkelman’s thoughts occasionally manifest through the written word.

 

On This Day (When America Changed)

On this day
My multiracial son
Writhed in pain upon hearing the news.

Clutching his stomach he asks,
Can we move to another country?
Can you get me a bulletproof vest?
Stabbing parents with the fear and anxiety
A 12-year-old black boy
Faces in America. 

A black boy in 21st century America
A witness to extraordinary histories
Of the first African American president
And the whitelash that followed. 

I will share the 20th century struggles his ancestors faced,
One great grandfather pushing Nazis back through the Rhineland,
The other spending years in Japanese American prison camps,
Emerging from the war years negotiating a balance
Of trauma and loss with new hope and young families. 

Tortured lives and deep scars are buried
To build better lives for their children
To build a better nation.

On this day
Our loss is great.
Our clocks are set back
With realities of hate breaking through
To conquer a divided nation. 

There is work to be done.
There is so much work to be done.

On this day
I stand committed as an agent of change
An agent of curiosity constantly seeking knowledge
Of offering what I’ve learned
From family
From community
From music, theater, dance and film
From a poetic life pursuing artistic truth.

On this day
I stand committed as an agent of love
Of light
Of understanding and compassion. 

On this day
I embrace my son
Reassure him he need not live in fear
Reassure him our nation will not be destroyed
Reassure him that peace and wisdom will prevail.

On this day (when America changed)
I pray these words are true.

*This poem was originally published on Whirlwind Press (2017) and is copyrighted by the author. 

 

© 2017 Jason Finkelman

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About this series

Nikkei Uncovered: a poetry column is a space for the Nikkei community to share stories through diverse writings on culture, history, and personal experience. The column will feature a wide variety of poetic form and subject matter with themes that include history, roots, identity; history—past into the present; food as ritual, celebration, and legacy; ritual and assumptions of tradition; place, location, and community; and love.

We’ve invited author, performer, and poet traci kato-kiriyama to curate this monthly poetry column, where we will publish one to two poets on the third Thursday of each month—from senior or young writers new to poetry, to published authors from around the country. We hope to uncover a web of voices linked through myriad differences and connected experience.

Logo design by Manuel Okata

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About the Authors

Jason Finkelman combines laptop electronics and acoustic instrumentation to create a distinct ambient, avant-world sound. A specialist on the single string musical bow berimbau, Finkelman is a Philadelphia-born percussionist who performs on African and Brazilian instruments handcrafted by Adimu Kuumba. His roots in improvised music include founding the trio Straylight in 1992, which enjoyed a wide range of collaborative performances in the Straylight Dialogues series at the Knitting Factory. Urbana-Champaign-based since 2000, Finkelman performs continually with a host of genre-blurring improvisers, is a community radio host at WEFT 90.1FM and leads the ever-evolving ensemble Kuroshio, which recently released an eponymous CD on Asian Improv Records (2020).

As a composer for dance, Finkelman has collaborated with choreographer Cynthia Oliver for over thirty years and received a “Bessie” award as a composer for her full evening work SHEMAD (2000). At the University of Illinois, Finkelman directs Global Arts Performance Initiatives at Krannert Center for the Performing Arts and leads Improvisers Exchange, a performance ensemble of the School of Music.

In 2023 Finkelman curated for Spurlock Museum, “Nikkeijin Illinois,” an exhibition on the Japanese American experience told through profiles of former and current faculty and staff of the University of Illinois, including his own Yonsei story. Finkelman’s thoughts occasionally manifest through the written word. (Profile photo by Travis_Stansel)

Website: College of Fine & Applied Arts, School of Music

Updated October 2024


traci kato-kiriyama, they+she, based on unceded Tongva Land, is a queer Sansei/Yonsei Nikkei inter/multi/transdisciplinary artist, poet, actor, educator, and cultural producer. They are principal writer/performer of PULLproject Ensemble; author of Signaling (2011, The Undeniables) and Navigating With(out) Instruments (2021, Writ Large Projects), Director/Founder of Tuesday Night Project, and an award-winning audiobook narrator. traci is a community organizer with Nikkei Progressives and the National Nikkei Reparations Coalition and a recipient of several distinguished lectureships, fellowships, and residencies. traci's writing, work, and commentary has been featured in a wide swath of publications including NPR, PBS, and C-SPAN. Hosts for tkk’s performance, storytelling, poetry, teaching/facilitation, and speaking include The Smithsonian, The Getty, Skirball Cultural Center, Hammer Museum, and many more.

tkk has been curating the Nikkei Uncovered: poetry column since its inception in 2016, and has recently been dabbling in a new passion with film (co-directing, dramaturgy, production). (Profile image by Raquel Joyce Fujimaki)

Updated December 2024

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