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Japanese values that she aligns with

I definitely think mottainai is a big one. Just because it’s so accessible, it’s very digestible in terms of just not being wasteful and just being respectful of the earth and of the resources that we do have. I think it’s very easy for someone to understand, a young person to understand. It’s reduce, reuse, recycle. I think that’s an easier one.

I define enryo, self-restraint, in a particular way. I think of it as not just taking the last piece of food so that you don’t look bad, but more so you…thinking about the other person at the table with you, did they have a chance to try it, did they have a chance to taste it. So I’d like to pass that on too.

I think the idea of kansha, or gratitude, is really important because I associate that a lot with relationships with people, so just being very grateful – even if it’s your parents making…or if I’m ever to make a meal for my child and they were to say “thank you for this meal,” I think even that gratitude is something that I would like them to learn and appreciate too.


aesthetics enryo (values) identity metaphysics mottainai (phrase) psychology theory of knowledge values

Date: August 30, 2018

Location: California, US

Interviewer: Sharon Yamato

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Grew up in Gardena, California. Her parents moved to the United States from Lima, Peru where they grew up in the Japanese and Okinawan Peruvian community. Because of this diverse background, she was exposed to a mixing of different cultural traditions. She is involved with the Okinawa Association of America and has visited Okinawa and Peru.

She received her teaching credentials but with an opportunity at the Gardena Valley Japanese Cultural Institute (GVJCI), she turned to non-profit work and is a volunteer at GVJCI and the Okinawa Association of America. (August 2018)

Mónica Kogiso
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Mónica Kogiso

Nihongo gakko - Preserving Japanese culture (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

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Peter Mizuki
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Peter Mizuki

Not wanting to stand out as a foreigner

Sansei Japanese American living in Japan and Kendo practioner

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Frank Yamasaki
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Frank Yamasaki

Have compassion for all of humanity

(b. 1923) Nisei from Washington. Resisted draft during WWII.

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Mónica Kogiso
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Mónica Kogiso

Identity crisis (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Never sang Enka outside the family

(b. 1981) Enka Singer

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Fujima Kansuma
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Fujima Kansuma

Both Japanese and American identities though Japanese dance

(1918-2023) Nisei Japanese kabuki dancer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Coming to Japan

(b. 1981) Enka Singer

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Aiko Yoshinaga Herzig
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Aiko Yoshinaga Herzig

Results of being more American than Japanese

(1924-2018) Researcher, Activist

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Trying to convey the meaning of the songs

(b. 1981) Enka Singer

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Kenny Endo
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Kenny Endo

Internship on a Native American reservation in Arizona

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

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Vince Ota
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Vince Ota

Different tension between East Coast and Los Angeles

Japanese American Creative designer living in Japan

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Seiichi Tanaka
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Seiichi Tanaka

Differences between American and Japanese taiko

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Nikkei Sansei

(b. 1981) Enka Singer

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Enson Inoue
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Enson Inoue

Sudden acceptance in Japanese society

(b. 1967) Hawai`i-born professional fighter in Japan

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Enson Inoue
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Enson Inoue

Ring name: "Yamato Damashi"

(b. 1967) Hawai`i-born professional fighter in Japan

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