Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/384/

Japanese American community life

I've always said that I think one of the, I call it a curse in some ways, that my grandmother put on me, was she always used to tell me, and she told me so frequently that everything I did, good or bad in life, would reflect upon the entire Japanese race. And I think I bought that. I was not the sort of questioning person. When my parents or grandparents said something to me I just sort of accepted it. Not that I liked it, but I accepted it. And I think I bought that.

And that was reinforced all through high school, junior high school where I saw the community sort of gather together to protect a particular family in the JA community that might have sinned socially. And they didn't want people to think that this was normal behavior for Japanese Americans, and so they would essentially cover-up. And I remember, especially in high school and in college where sex started to become a little bit more open and, and young women were getting pregnant, you know, out of wedlock, and my God, how that would just like spread through the community. And again, people would draw their wagons and protect the family and all that, but at the same time would be saying very bad things about them, behind your back. So there was a clear double standard.


communities culture

Date: March 18 & 20, 2003

Location: Washington, US

Interviewer: Alice Ito and Mayumi Tsutakawa

Contributed by: Denshō: The Japanese American Legacy Project.

Interviewee Bio

Roger Shimomura's paintings, prints, and theater pieces address sociopolitical issues of Asian America. Many of his works are inspired by the diaries kept by his late immigrant grandmother for fifty-six years. Shimomura has had more than 100 solo exhibitions of his paintings and prints, and has presented his experimental theater pieces at such venues as the Franklin Furnace, New York; Walker Art Center, Minneapolis; and the National Museum of American History, Smithsonian Institution, Washington, D.C. Widely honored as an educator, he was designated a University Distinguished Professor by the University of Kansas. In 2001 the College Art Association presented him with the Artist Award for Most Distinguished Body of Work in recognition of his four-year, twelve-museum national tour of the painting exhibition An American Diary. He retired from teaching in 2004.

Shimomura's personal papers are being collected by the Archives of American Art, Smithsonian Institution. He is represented by galleries in New York, Chicago, Kansas City, Miami, and Seattle.

*The full interview is available Denshō: The Japanese American Legacy Project.

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