Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/865/

Generational Change (Spanish)

(Spanish) Perhaps the Issei and the Nikkei have done [so] much in order that we may have the opportunity right now to progress. Things that I hear from my mom, [and things] that I heard from my grandmother sometime ago, was the fact that they suffered a lot during the war. They suffered much repression [back] then, and therefore the Japanese part [of their existence] left; it left [them due to] the [reality] of overcoming adversity, of moving forward and, at the end, they smoothed the road for us so that we could begin to think of other things: to think of culture, in artistic development, in professional development, [much of which] perhaps many of our parents or grandparents were unable to do but they worried about us being able to do such things. Therefore, perhaps it is not a generational gap, perhaps it is the flow of events that life has simply made for us [in more simple fashion] and that it is our responsibility to ensure that everything that they [our parents and grandparents] experienced in its moment is not lost, not erased from [our] memory, and that everything that our Japanese-rooted culture has provided, we are entrusted to transmit and move it forward.


culture Hawaii Japanese Americans Nikkei United States

Date: September 14, 2007

Location: Lima, Peru

Interviewer: Harumi Nako

Contributed by: Asociación Peruano Japonesa (APJ)

Interviewee Bio

Akira Watanabe Osada was born on October 6, 1974, in Lima, Peru. His grandparents are Japanese immigrants who came to Peru from Fukushima Ken. An engineer, Akira is also director of the Peru branch of the Ryukyukoku Matsuri Daiko Group. Founded in 1999, the branch grew out of the festivities commemorating Japanese immigration to Peru. Akira promotes the Okinawa eisa dance throughout the country. As a member of this group, Akira has performed quite often in Peru, which the most important of these performances have been the centennial celebrations marking Japanese immigration to Peru (1999), and the Centenary of Okinawense Immigration to Peru (2006). (September 14, 2007)

Kazuomi Takagi
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Takagi,Kazuomi

Argentina is my home (Spanish)

(1925-2014) La Plata Hochi, Journalist

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Celia Oi
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Oi,Celia

Japan's impact on the image of Nikkei in Brazil (Portuguese)

Former Director, Museu Histórico da Imigração Japonesa no Brasil

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Celia Oi
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Oi,Celia

Change in sense of Nikkei Brazilian identity over time (Portuguese)

Former Director, Museu Histórico da Imigração Japonesa no Brasil

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Emi Kasamatsu
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Kasamatsu,Emi

Japanese language education for Paraguayan Nisei (Spanish)

Nisei Paraguayan, Researcher

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Toshio Inahara
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Inahara,Toshio

Identified as Japanese ancestry

(b. 1921) Vascular surgeon

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George Yoshida
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Yoshida,George

Ways of Fitting In

(b. 1922) Musician

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Doris Moromisato
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Moromisato, Doris

I’m a Japanese, Peruvian… who am I? (Spanish)

(b. 1962) Peruvian Poet, Okinawan descendant

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Doris Moromisato
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Moromisato, Doris

Being a Nikkei today (Spanish)

(b. 1962) Peruvian Poet, Okinawan descendant

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Doris Moromisato
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Moromisato, Doris

Nikkei identity (Spanish)

(b. 1962) Peruvian Poet, Okinawan descendant

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Doris Moromisato
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Moromisato, Doris

The myth of the sacrifice of immigrants (Spanish)

(b. 1962) Peruvian Poet, Okinawan descendant

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Doris Moromisato
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Moromisato, Doris

Paisaje terrestre [Terrestrial landscape] (Spanish)

(b. 1962) Peruvian Poet, Okinawan descendant

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Cedrick Shimo
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Shimo,Cedrick

Interpretation of Nikkei

(1919-2020) Member of the 1800th Engineering Battalion. Promoted Japan-U.S. trade while working for Honda's export division.

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Hopes everyone pursues their dreams regardless of race or heritage

(b. 1981) Enka Singer

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Francesca Yukari Biller
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Biller,Francesca Yukari

What Nikkei means to her

Jewish Japanese American journalist

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Tamio Wakayama
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Wakayama,Tamio

Re-examining Identity

(1941-2018) Japanese Canadian photojournalist and activist

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