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The birth of Giant Robot

Giant Robot. What a name, huh. I don’t know, it’s one of the most, I mean, most, I don’t know asked questions, like where’d the name come from? I think Giant Robot just comes from the fact that we like big, robot tools and stuff like that, plus I think the whole idea was, the idea of Asian robots being gigantic and powerful, but at the same time, they are usually controlled by human, whereas a lot of the American robots are just these atomulous little tiny robots that look like trashcans and they have their own brains and everything, but they’re all kind of buffoons, so we wanted to kind of look toward Asian robots, and so we called it Giant Robot.


Giant Robot publications

Date: November 27, 2005

Location: California, US

Interviewer: John Esaki and Janice Tanaka

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Eric Nakamura is co-founder and publisher of Giant Robot magazine. He is a Sansei (third generation Japanese American) from Los Angeles, California who grew up in a typical Japanese American household. He attended Japanese school on Saturdays where he learned the basic traditions of Japanese culture. It also played a large role in his identification as Japanese American.

After graduating from University of California at Los Angeles in East Asian Studies, Nakamura worked at Larry Flynt Publications. While working there, he had an idea for publishing a magazine focused on Asian pop culture in the U.S. In 1994, Nakamura and co-founder Martin Wong photocopied and stapled the first edition of Giant Robot. What began as a zine with a distribution of 240 copies has grown into a full-fledged magazine with an increasingly international fan base.

Nakamura has built on the success of Giant Robot with stores in Los Angeles, New York and San Francisco selling imported art goods from Japan. The stores exhibit artwork from local up-and-coming artists. There’s also a restaurant called gr/eats.

In addition to his work with Giant Robot, Nakamura also made a film called Sunsets and is involved in other projects. For his creative cultural contributions in the United States, he was honored the Award of Excellence by the Japanese American National Museum in 2006. (October 26, 2006)

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