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https://www.discovernikkei.org/en/interviews/clips/1188/

Coming to Japan

You know, because I lived in Pittsburg my whole life, it was the first time I had seen so many people in one place, at one time. You know, going to places like Shinjyuku and Shibuya, Ropponji…just seeing so many people and getting on trains with so many people…that was kind of a big shock to me. You know, Pittsburg is…is a city, but its not a very big city. So that was the first thing that I was, you know, actually surprised by… Just the amount of people in Japan. You know, because I, you know, ate Japanese food at home and I knew a lot of Japanese culture, and you know, was starting to study Japanese when I first got there, you know, one of the main things that I was really, really…I really wanted to do was, you know, buy enka CDs and listen to enka and watch enka shows and, you know, go to karaoke, and you know do things like that. I wanted to do…learn more and you know get more into the music. And that was one of the things I was really looking forward to when I was there.


culture hapa identity racially mixed people

Date: March 30, 2010

Location: California, US

Interviewer: Yoko Nishimura

Contributed by: Interview by Watase Media Arts Center, Japanese American National Museum. Courtesy of Japanese American Cultural & Community Center

Interviewee Bio

Jero (Jerome Charles White, Jr.) was born on September 4, 1981, in Pittsburg, Pennsylvania. His African American grandfather met his Japanese grandmother as a U.S. serviceman during World War II. They married and had a daughter, Harumi, and eventually moved to his grandfather’s hometown of Pittsburgh. Jero’s parents divorced when he was young so he was raised with a strong sense of Japanese culture. He was introduced to enka by his grandmother and started to sing enka under her encouragment. After graduating from the University of Pittsburgh in 2003, he moved to Japan and worked as an English teacher and as a computer engineer, but started to pursue singing professionally after promising his grandmother that one day he would perform at the Kohaku Uta Gassen, the New Year’s Eve musical special that she enjoyed.

Jero’s mix of traditional enka with a youthful, hip hop style has revitalized a singing style that has been slowly dying out by attracting people from all age groups. He won over many hearts after hearing about his promise to his grandmother and was a highlight of the night when he did appear on the Kohaku Uta Gassen in 2008. He won the Best New Artist award in the Japan Record Awards that year. He has gained popularity among Nikkei and performed for sold-out audiences in the U.S. in 2010.

(March 2010)

Akira Watanabe
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Eisa: Modernity and Tradition (Spanish)

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PJ Hirabayashi
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Feeling empowered by taiko

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Akira Watanabe
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Ann K. Nakamura
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Image of Americans

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PJ Hirabayashi
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Diverse membership in San Jose Taiko

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Robert (Bob) Kiyoshi Okasaki
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Looking at your country from the outside

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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Robert (Bob) Kiyoshi Okasaki
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Wife's family in Japan

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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Yukio Takeshita
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Lack of notion of citizenship in Japan

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Akira Watanabe
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Generational Change (Spanish)

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Jane Aiko Yamano
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Lack of language skills

(b.1964) California-born business woman in Japan. A successor of her late grandmother, who started a beauty business in Japan.

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Jane Aiko Yamano
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Preserving traditional Japanese culture

(b.1964) California-born business woman in Japan. A successor of her late grandmother, who started a beauty business in Japan.

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Byron Glaser
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Supporting art because it's essential

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Wayne Shigeto Yokoyama
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(b.1948) Nikkei from Southern California living in Japan.

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