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https://www.discovernikkei.org/en/interviews/clips/1197/

Getting on Kohaku (Japanese)

(Japanese) I’ve been watching Kouhaku since when I was born in 1982, my relatives in Japan would unfailingly send me a video tape of the performance. My family and I would always get together and watch the video tape, and so I really feel that the program called Kouhaku is of a significant importance to me. That said, my first objective when I debuted, was naturally to get on Kouhaku. My grandmother was always telling me, the artists that were able to get on Kouhaku that year, it was proof that they were successful that year, so I thought, I really need to be successful, so I can get on Kouhaku, too. I even received a New Artist Award, my first year being on Kouhaku. In one way or another, I really wanted my mother and grandmother to be there with me, so I had an image of my grandmother’s face on the clothes that I wore. My mother was watching from the audience, so I can say that my grandmother was there with me. That was the situation, so it really became a good memory for me.


enka identity music

Date: March 30, 2010

Location: California, US

Interviewer: Yoko Nishimura

Contributed by: Interview by Watase Media Arts Center, Japanese American National Museum. Courtesy of Japanese American Cultural & Community Center

Interviewee Bio

Jero (Jerome Charles White, Jr.) was born on September 4, 1981, in Pittsburg, Pennsylvania. His African American grandfather met his Japanese grandmother as a U.S. serviceman during World War II. They married and had a daughter, Harumi, and eventually moved to his grandfather’s hometown of Pittsburgh. Jero’s parents divorced when he was young so he was raised with a strong sense of Japanese culture. He was introduced to enka by his grandmother and started to sing enka under her encouragment. After graduating from the University of Pittsburgh in 2003, he moved to Japan and worked as an English teacher and as a computer engineer, but started to pursue singing professionally after promising his grandmother that one day he would perform at the Kohaku Uta Gassen, the New Year’s Eve musical special that she enjoyed.

Jero’s mix of traditional enka with a youthful, hip hop style has revitalized a singing style that has been slowly dying out by attracting people from all age groups. He won over many hearts after hearing about his promise to his grandmother and was a highlight of the night when he did appear on the Kohaku Uta Gassen in 2008. He won the Best New Artist award in the Japan Record Awards that year. He has gained popularity among Nikkei and performed for sold-out audiences in the U.S. in 2010.

(March 2010)

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