Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/1633/

The reason for creating the songflim Omoiyari

The initial impetus was obviously the election. And then there’s that guy who’s talking about the Muslim ban and how the executive order, the incarceration, was precedent and that kind of really activated me in a way that, it was like I felt threatened as a minority in this country for the first time. I always kind of believed this country was a melting pot, it was open for everybody, and that’s when I started to really try to understand the incarceration.

This film serves two parts in that one is to kind of show this history and to develop empathy and kind of confront privilege to have my viewers take a step back and really understand how to help their community, or how to help underprivileged people or to help minorities – to get that perspective.

And I like to encourage minorities to have hope, that this is just a turning point. And then also for white people to be, hey this is really not just your country anymore. And all these advantages you’ve had, you should really acknowledge them and take a step back and share.


emotions empathy equality identity minorities music musicians Omoiyari (song) privilege sympathy United States

Date: August 21, 2018

Location: California, US

Interviewer: Sharon Yamato

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Kaoru Ishibashi, who performs as Kishi Bashi, is a Shin-Nisei musician, composer, and songwriter, born in Seattle, Washington and grew up in Norfolk, Virginia. He attended Berklee College of Music and became a renowned violinist.

His film project, Omoiyari (Empathy), led him to places such as Manzanar, Tule Lake, the Japanese American National Museum, and Japan to learn about Japanese American and Japanese World War II history. Omoiyari explores how empathy and the lack of it has played key roles in our modern quest for social equality. (March 2019)

Yonamine,Wally Kaname

Working in cane fields as teenager, and how it helped in his athletic training (Japanese)

(b.1925) Nisei of Okinawan descent. Had a 38-year career in Japan as a baseball player, coach, scout, and manager.

Matsumoto,Roy H.

Nickname

(b.1913) Kibei from California who served in the MIS with Merrill’s Marauders during WWII.

Matsumoto,Roy H.

Mixed emotions after declaration of war on Japan

(b.1913) Kibei from California who served in the MIS with Merrill’s Marauders during WWII.

Abe,George

Playing for Yourself

(b. 1944) taiko and flute performer

Tanaka,Seiichi

Taiko philosophy (Japanese)

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

Kosaki,Richard

Growing up in Waikiki

(b. 1924) Political scientist, educator, and administrator from Hawai`i

Hirabayashi,Roy

Introducing Taiko in Vancouver

(b.1951) Co-founder and managing director of San Jose Taiko.

Hirabayashi,Roy

The philosophy of playing Taiko

(b.1951) Co-founder and managing director of San Jose Taiko.

(Jerome Charles White Jr.),Jero

Learning Japanese traditions by observing his mother and grandmother

(b. 1981) Enka Singer

Kogiso,Mónica

Nihongo gakko - Preserving Japanese culture (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

Mizuki,Peter

Not wanting to stand out as a foreigner

Sansei Japanese American living in Japan and Kendo practioner

Yamasaki,Frank

Have compassion for all of humanity

(b. 1923) Nisei from Washington. Resisted draft during WWII.

Kogiso,Mónica

Identity crisis (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

(Jerome Charles White Jr.),Jero

Never sang Enka outside the family

(b. 1981) Enka Singer

Kansuma,Fujima

Both Japanese and American identities though Japanese dance

(1918-2023) Nisei Japanese kabuki dancer