Journal Search
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Kariyushi Eisá Daiko—The Group Preserves and Disseminates Okinawa’s Cultural Legacy
Nisei on his father’s side and Sansei on his mother’s, Tadashi Gabriel Nishihira Katsur…
Tatiana Maebuchi • March 26, 2024
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Stephanie Ajifu, Shibuchoo, Ryukyukoku Matsuri Daiko LA—Reflects on her Okinawan Cultural Heritage
On March 9, 2024, Discover Nikkei will host “Yeisaa nu Chimu-Don-Don: Exploring Cultural Iden…
Karen Kawaguchi • March 6, 2024
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Aiko Yamada: Eisa to Remember Peru
Aiko Yamada Yoshimoto grew up in Lima, Peru, but her connection to traditional eisa dance of Okinaw…
Javier García Wong-Kit • Feb. 22, 2024
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John Azama: The Peruvian Nikkei Who Revitalized Ryukyu Damashii, the Eisa Group of Dallas-Fort Worth
“I was a very shy child,” he confesses, preferring to be at the back of the group durin…
Milagros Tsukayama Shinzato • Feb. 16, 2024
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bicultural identity
biculturalism
communities
Dallas
eisa (dance)
folk dances
generations
identity
Japan
Japanese American communities
Japanese Americans
Japanese Peruvians
John Azama
Lima
music
Okinawa
Okinawans
Peru
Ryukyu Damashii (performance group)
singers
Texas
Uchinanchu
United States
Yeisaa nu Chimu-Don-Don (event)
Yonsei
bicultural identity
biculturalism
communities
Dallas
eisa (dance)
folk dances
generations
identity
Japan
Japanese American communities
Japanese Americans
Japanese Peruvians
John Azama
Lima
music
Okinawa
Okinawans
Peru
Ryukyu Damashii (performance group)
singers
Texas
Uchinanchu
United States
Yeisaa nu Chimu-Don-Don (event)
Yonsei
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Reunion with my roots
It is difficult for me to tell this, I do not know if this scene was repeated in all Okinawan homes…
Roberto Oshiro Teruya • Sept. 25, 2017
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Interview with Ayaka Yamamoto and Katsuya Uechi, a chef from Okinawa, who are sharing authentic Ryukyu cuisine
When searching for "Yamamoto Ayaka" on the internet, one comes across various blogs about…
Keiko Fukuda • April 4, 2016
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新世代継承の鍵は? 沖縄県人会・琉球国祭太鼓のリーダーに聞く
南カリフォルニアには41の県人会がある。中でも会員数で群を抜くのが北米沖縄県人会だ。青年部、婦人部など部会に分かれて積極的な取り組みを行っているが、ある時、芸能部に属する琉球国祭太鼓(りゅうきゅうこ…
Keiko Fukuda • June 9, 2011