Entrevistas

1. Family that saved her belongings during World War II

2. Thriving art culture at camp

3. Leaving everything behind

4. On the process of making her leaf bowls

5. On the process of creating her Japanese paper bowls

6. From double weaving to microfilament “flat” hangings

7. Marriage to Bob Stocksdale

8. Moving to Cincinnati after Topaz

9. Learning how to weave

10. Mother also wove growing up

Sekimachi,Kay

(n. 1926) Artista

Learning how to weave

I was taken to the weaving room at CCAC I was captivated by the loom. There and then I said, I've just got to go out and get a loom and do it and so with the last $150 I had I went to this RN Studio and bought a loom. That's how I got started. Of course, this friend who had originally taken me to the weaving room said, "I'll show you how to weave." When we started I realized I needed lessons and so I went to the Berkeley Adult School where they had free classes and got the basics.

artes artistas tecelagem

Data: November 23, 2018

Localização Geográfica: California, US

Entrevistado: Patricia Wakida

País: A Co-Production of the Watase Media Arts Center, Japanese American National Museum and KCET

Entrevistados

Kay Sekimachi, nascida em 1926 em São Francisco, é uma artista norte-americana de fibras, mais conhecida por suas cortinas magistrais tridimensionais de monofilamento, bem como por suas intrincadas cestas e tigelas. Nascida em São Francisco, em 30 de setembro de 1926, Sekimachi foi confinada com sua família no Tanforan Assembly Center em Califórnia e depois no campo de concentração de Topaz em Utah, de 1942 a 1944. (Junho 2018)