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Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles

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GIDRA magazine

Gidra was a monthly publication that called itself the "voice of the Asian American movement." Founded by University of California, Los Angeles (UCLA) students in April 1969, the magazine took a radically progressive political position, providing information about the movement not found elsewhere in the mainstream media. The magazine eventually moved off campus, operating out of a series of offices in the Crenshaw area until its last issue went to press in April 1974.

The magazine's sixty issues offered news from the third world struggle perspective—aligning the Asian American movement not only with domestic empowerment movements like the Black Power, Chicano, and Native American movements but also the international struggles of oppressed peoples in Africa, Southeast Asia, and Latin America. "Gidra" addressed issues like drug abuse in the Asian American community, news about the Vietnam War and the anti-war movement, prison conditions, and the redevelopment of Little Tokyo, among other issues. Art, especially poetry and drawing, were integrated into every issue of the magazine; such creative expressions were crucial to articulating a newly forming Asian American identity and were intertwined with the political goals of the movement.

The magazine was edited by a changing, non-hierarchical collective that included Mike Murase, Doug Aihara, Evelyn Yoshimura, Steve Tatsukawa, and Bruce Iwasaki at its core, along with a roster of talented graphic designers and artists that included Alan Takemoto, Dean Toji, David Monkawa, and Glenn Iwasaki.

The following issues are available online:

Based on this original

GIDRA 1974 - Cover Page
uploaded by JANM
Cover scanned from the final issue of GIDRA  magazine (April 1974). Gidra was a monthly publication that called itself the “voice of the Asian American movement.”  Founded by University of California, Los … More »


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