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Internment: A Passion Project
There is a script floating around Hollywood with Japanese Americans as central characters and the d…

Cathy Haruka Uechi • Jan. 22, 2015

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acting actors artists authors communication concentration camps entertainers Executive Order 9066 executive orders Figure 8 (play) generations hapa Hollywood (Los Angeles, Calif.) information theory Lydia in Bed (play) Phinneas Kiyomura playwrights racially mixed people screenwriting scripts sociology telecommunication television Theater of Note United States World War II camps writers Yonsei
acting actors artists authors communication concentration camps entertainers Executive Order 9066 executive orders Figure 8 (play) generations hapa Hollywood (Los Angeles, Calif.) information theory Lydia in Bed (play) Phinneas Kiyomura playwrights racially mixed people screenwriting scripts sociology telecommunication television Theater of Note United States World War II camps writers Yonsei
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Pan Asian Repertory’s Plays in Progress Gives Life to “No-No Boy”
Two months after the Japanese attacked Pearl Harbor in 1941, President Franklin D. Roosevelt issued…

Tamio Spiegel • Nov. 29, 2012

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authors John Okada Ken Narasaki New York (state) no-no boys Pan Asian Repertory Theatre plays playwrights United States World War II
authors John Okada Ken Narasaki New York (state) no-no boys Pan Asian Repertory Theatre plays playwrights United States World War II
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The Asian American Literary Review
Asian American Literature Forum Response by Velina Hasu Houston
“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earli…

Velina Hasu Houston • June 24, 2012

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Asian Americans authors literature playwrights Velina Hasu Houston writers
Asian Americans authors literature playwrights Velina Hasu Houston writers
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A Grandmother's Legacy
Imagine spending your childhood hearing stories about how your grandmother took over the Statue of …

Krista Chavez • July 28, 2011

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artists Asian American studies authors California Japanese American Community Leadership Council civil rights communities Discover Nikkei internships Nikkei Community Internship Nikkei Student Union (UC Berkeley) Passing It On (book) playwrights Wakako Yamauchi Yuri Kochiyama
artists Asian American studies authors California Japanese American Community Leadership Council civil rights communities Discover Nikkei internships Nikkei Community Internship Nikkei Student Union (UC Berkeley) Passing It On (book) playwrights Wakako Yamauchi Yuri Kochiyama
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Dare to Be Naive
R. Buckminster Fuller once wrote, “Dare to be naive.”In these days of non-stop irony, c…

Ken Narasaki • April 1, 2010

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armed forces arts authors draft resisters fiction Ken Narasaki literature No-No Boy (play) no-no boys novels performing arts plays playwrights resisters retired military personnel theater veterans World War II
armed forces arts authors draft resisters fiction Ken Narasaki literature No-No Boy (play) no-no boys novels performing arts plays playwrights resisters retired military personnel theater veterans World War II
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Tackling No No Boy
I’ve had the theatrical rights to NO NO BOY for a year and a half, and only now am I really w…

Ken Narasaki • Aug. 31, 2009

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arts authors discrimination fiction interpersonal relations John Okada Ken Narasaki literature loyalty questionnaire No-No Boy (book) No-No Boy (play) novels performing arts plays playwrights theater war World War II
arts authors discrimination fiction interpersonal relations John Okada Ken Narasaki literature loyalty questionnaire No-No Boy (book) No-No Boy (play) novels performing arts plays playwrights theater war World War II
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Paul Kikuchi's IXNAY
A new generation of Japanese America is rising and playwright Paul Kikuchi represents a different b…

Shou Chen Tan • Feb. 11, 2009

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arts authors East West Players (organization) identity Paul Kikuchi performing arts plays playwrights race theater
arts authors East West Players (organization) identity Paul Kikuchi performing arts plays playwrights race theater
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From the perspective of two countries
ベリナ・ハス・ヒューストン～自らをアメラジアンと呼ぶ日系２世の劇作家 －その５
＞＞その４多文化、多人種の劇作家としてヒューストンは子どもの頃から文章を書く才があり、高校生の時に書いた詩がカンザス州の賞を獲得している。カンザス州立大学でジャーナリズムの学位を得た後ロサンゼルスに…

Tatsuya Sudo • April 30, 2010

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Amerasians authors generations hapa literature Nisei playwrights racially mixed people Velina Hasu Houston writers
Amerasians authors generations hapa literature Nisei playwrights racially mixed people Velina Hasu Houston writers
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From the perspective of two countries
ベリナ・ハス・ヒューストン～自らをアメラジアンと呼ぶ日系２世の劇作家 －その４
＞＞その３戦争が世界にもたらすものを見つめる日本人とアメリカ軍人との間に生まれたヒューストンにとって、戦争は、人種と同様、大きなテーマである。2007年に、戦争をテーマにした「ヒロシマよ、アフロディ…

Tatsuya Sudo • April 23, 2010

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Amerasians authors generations hapa literature Nisei playwrights racially mixed people Velina Hasu Houston writers
Amerasians authors generations hapa literature Nisei playwrights racially mixed people Velina Hasu Houston writers
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From the perspective of two countries
ベリナ・ハス・ヒューストン～自らをアメラジアンと呼ぶ日系２世の劇作家 －その３
＞＞その２歴史書から消された戦争花嫁を戯曲に1985年に初演されたこの作品は、『Unbroken Thread』（1993）という戯曲集に台本が収められており、この本の表紙に「ティー」のアメリカでの…

Tatsuya Sudo • April 16, 2010

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Amerasians authors generations hapa literature Nisei playwrights racially mixed people Velina Hasu Houston writers
Amerasians authors generations hapa literature Nisei playwrights racially mixed people Velina Hasu Houston writers
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