Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/893/

Not wanting to stand out as a foreigner

I always had this dream of living abroad in a foreign country since I was in junior high school. And then when I was…originally, I wanted to live in Europe. Then I went to Europe when I was 19. I went for a summer. But I originally intended to go for 3 months. I ended up staying for 6 months. I had a one-year open ticket. I met some people in Germany. They were working for the military and I got a job as a janitor, just running wild – drinking…and they were…one guy was Canadian, two guys from America and I just kind of slept wherever – on the floor in their apartment. I didn’t have a room. I was kind of a bum. That was fun. I had a great time.

But living in Europe for a short time, I realized I didn’t want to live…I wasn’t comfortable in Europe because you stand out. I didn’t like being…like being in America. I don’t like standing out, being targeted with racial epithets and things. So I don’t need that in my life. So living in Japan was much more comfortable when I first came here. It’s that whole point of not standing out, I think, which makes my life comfortable here.


Finding Home (film) identity migration

Date: November 11, 2003

Location: Kyoto, Japan

Interviewer: Art Nomura

Contributed by: Art Nomura, Finding Home.

Interviewee Bio

Peter Mizuki, a Sansei, was born and raised in Seattle, Washington. As a child he helped in his family’s lumber business and was involved with the Japanese martial art of kendo. Later, while a student at the University of Washington, he was one of the founding members of the Kendo Club. As his interest in Japanese culture developed, he traveled to Japan on a cultural visa to learn Japanese and continue his study of kendo. There, he met his wife in Kyoto. He now has two sons, is a permanent resident of Japan, and continues to practice kendo and teach English part-time at universities. In his interview, Peter shares his experiences of being a Japanese American in Japan and the struggles he’s endured to be accepted by Japanese society. (2005)

Harunori Oda
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Oda,Harunori

Getting started in America

(1927-2016) Shin-Issei businessman

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Harunori Oda
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Oda,Harunori

Expanding business

(1927-2016) Shin-Issei businessman

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Harunori Oda
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Oda,Harunori

Life Philosophy

(1927-2016) Shin-Issei businessman

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Hachiro Ohtomo
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Ohtomo,Hachiro

Facing discrimination in America (Japanese)

(b. 1936) Shin-issei welding business owner

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Jean Hamako Schneider
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Schneider,Jean Hamako

On international marriages (Japanese)

(b. 1925) War bride

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Jean Hamako Schneider
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Schneider,Jean Hamako

Masao-san (Japanese)

(b. 1925) War bride

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Jean Hamako Schneider
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Schneider,Jean Hamako

Conflicted about immigrating to America (Japanese)

(b. 1925) War bride

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Tamio Wakayama
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Wakayama,Tamio

Defining "Nikkei"

(1941-2018) Japanese Canadian photojournalist and activist

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Takeo Uesugi
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Uesugi,Takeo

His father urged him to go to the US

(1940-2016) Issei Landscape Architect

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Terumi Hisamatsu Calloway
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Calloway,Terumi Hisamatsu

Regret (Japanese)

(b. 1937) A war bride from Yokohama

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Hachiro Ohtomo
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Ohtomo,Hachiro

My daughter couldn’t fit in Japan, so I decided to go back to America (Japanese)

(b. 1936) Shin-issei welding business owner

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Sawako Ashizawa Uchimura
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Uchimura,Sawako Ashizawa

Unique Identity from Having Multiple Backgrounds

(b. 1938) Philipines-born hikiagesha who later migrated to the United States.

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Robert T. Fujioka
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Fujioka,Robert T.

Growing up Japanese in Hawaii

(b. 1952) Former banking executive, born in Hawaii

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Akira Takashio
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Takashio,Akira

Tough life at boarding house (Japanese)

Shin Issei – owner of izakaya (Japanese-style tavern) and kappo (small Japanese diner) restaurant, Honda-Ya

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Tom Yuki
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Yuki,Tom

His family's migration to Salinas, California

(b. 1935) Sansei businessman.

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