Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/265/

Kids working hard

I think my mother’s generation, like your grandmother’s generation, the Confucian ethics were instilled in them ever since they were young, [what] they learned in grade school. And I think that’s what [I learned] working with many picture brides, too. I really learned a lot from them because that’s what gave them the strength to endure, to persevere.

And for my mother, being a single mother, it must have been hard because I think not only doing laundry, I think she was determined to send us at least to the eighth grade. And so, most kids—my friends—many of them went only to the fifth grade because the parents couldn’t afford because they had to work in the fields. And field work, they paid only—my brother worked in the fields day after graduation from eighth grade. They were paid, really, only about 50 cents a day for 10 hours of hard work. And during summer, they got paid only 25 cents for a day, all the school kids. And so, it was tough for the kids.


education plantations sugarcane

Date: February 19, 2004

Location: Hawai'i, US

Interviewer: Lisa Itagaki, Krissy Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Barbara Kawakami was born in 1921 in Okkogamura, Kumamoto, Japan, in a feudal farmhouse that had been her family’s home for more than 350 years. She was raised on the Oahu Sugar Plantation in Oahu, Hawai’i, and worked as a dressmaker and homemaker before earning her high school diploma, Bachelor of Science in Textile & Clothing, and Master of Arts in Asian Studies—after the age of 50.

In her senior year, she began to research the clothing that immigrants wore on the plantation for a term paper. Finding there was relatively little academic research in this area, Barbara embarked on a project to document and collect original plantation clothing as well as the stories behind the ingenuity of the makers. Over the course of fifteen years, Barbara recorded more than 250 interviews with aging Issei women and men and their Nisei children. She captured their lives, the struggles of immigration, and conditions working and living on the plantation. Importantly, she documented the stories behind the ingenuity of these Issei women as they slowly adapted their traditions to suit the needs of plantation life. Her knowledge of the Japanese language, having grown up on the plantation, and her extensive background as a noted dressmaker, helped many Issei women feel comfortable about sharing the untold stories of their lives as picture brides. From her extensive research, she published the first book on the topic, Japanese Immigrant Clothing in Hawai‘i 1885-1941 (University of Hawai‘i Press, 1993).

A noted storyteller, author, and historian, Barbara continues to travel to Japan as well as throughout the United States to give lectures regarding plantation life and clothing. She is widely recognized as the foremost authority on Japanese immigrant clothing and has served as a consultant to Hawaii Public Television, Waipahu Cultural Garden Park, Bishop Museum, the Japanese American National Museum, and to the movie production of Picture Bride. (February 19, 2004)

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