Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/1524/

Father’s Optimism

One of the things about my dad, being Nisei, he was very optimistic. You know, the rumor around Japantown was, oh, sell everything. Get what you can, we’ll never come back. All these stories about Nazi Germany and what was going on in Europe. One of the rumors that we would hear was, what’s going to happen. If Japan won the war, or if US wins the war, what’s going to happen? Either way, we’re all just going to be lined up and executed, so we’ll never comeback.

But my dad, he always thought that, yeah we’ll be back. In fact, he was so optimistic that one of his best friends was a Chinese family. And so he offered Chuck, to live in our home, which he had just purchased in 1939. And so Chuck and his family, and had a daughter about my age at that time. They came and lived in the house. And so after the war, when we came back to San Francisco, we had a home to come back to.


forced removal generations Nisei World War II

Date: August 26, 2015

Location: California, US

Interviewer: John Esaki

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Willie Ito was born July 17, 1934 in San Francisco, California to nisei parents. Seeing Snow White and the Seven Dwarves at the age of five inspired a lifelong love of animation. After his family's incarceration in Topaz, Utah during World War II, Willie returned to California to pursue an art career, attending the Walt Disney favorite Chouinard Art Institute in Los Angeles (which later became CalArts). Under the mentorship of legendary animator Iwao Takamoto, Willie's passion blossomed into a long career in the animation world through golden ages at Disney, Warner Brothers, and Hanna-Barbera. His credits span from The Lady and the Tramp and What's Opera Doc? to The Flinstones and the Yogi Bear Show. 

Willie continues drawing to this day, including illustration work on multiple children's books about the Japanese American World War II experience. You can also find him signing sketches and greeting fans at San Diego Comic-con. (September 2016)

Akutsu,Gene

Reflecting on Japanese Americans' response to incarceration

(b. 1925) Draft resister

Yamada,George

Japanese American railroad workers are fired following the bombing of Pearl Harbor

(b. 1923) Chick sexer

Yamada,George

A racist encounter at a movie theater following the bombing of Pearl Harbor

(b. 1923) Chick sexer

Yamada,George

Encountering a train full of Japanese Americans being transported to a concentration camp

(b. 1923) Chick sexer

Yamada,Luis

Suffering in World War II (Spanish)

(b. 1929) Nisei Argentinean

Yamada,Luis

Joined Japanese Imperial Army during the WWII (Spanish)

(b. 1929) Nisei Argentinean

Yamada,Luis

Proud to be a Japanese desecendant (Spanish)

(b. 1929) Nisei Argentinean

Watanabe,Margarida Tomi

Relief fund to support Japanese communities (Japanese)

(1900–1996) The mother of Nikkei Brazilian immigration

Watanabe,Margarida Tomi

Role of Assistancia Social dom Jose Gaspar (Japanese)

(1900–1996) The mother of Nikkei Brazilian immigration

Watanabe,Margarida Tomi

Interrogation by police (Japanese)

(1900–1996) The mother of Nikkei Brazilian immigration

Shimizu,Henry

No immediate impact after Pearl Harbor

(b. 1928) Doctor. Former Chair of the Japanese Canadian Redress Foundation.

Shimizu,Henry

Treatment of Japanese fishermen in Canada during World War II

(b. 1928) Doctor. Former Chair of the Japanese Canadian Redress Foundation.

Shimizu,Henry

Government's permission to publish Japanese newspaper in Canada during World War II

(b. 1928) Doctor. Former Chair of the Japanese Canadian Redress Foundation.

Shimizu,Henry

Japanese newspaper supported by Canadian government during World War II

(b. 1928) Doctor. Former Chair of the Japanese Canadian Redress Foundation.

Shimizu,Henry

Sneaking out of the Hastings Park camp during World War II

(b. 1928) Doctor. Former Chair of the Japanese Canadian Redress Foundation.