Material contribuído por tnimura

Nikkei Uncovered: a poetry column

Year-ending

Amy UyematsuTamiko Nimuratraci kato-kiriyama

As we survey the past year of lockdowns and quarantines that started here in the States by mid-March, 2020, we take stock of a wide spectrum of revelations and experiences over the last twelve months. From new personal practices and experiments in the arena of safer-at-home, to illness and loss, …

Writing We Hereby Refuse: 3 Things I Learned about Resistance

Tamiko Nimura

When I was a little kid in California in the early 1980s, it was cool to be a rebel, or a resister. On the sawdust-covered playground of my elementary school, we played out different scenes from the movie Star Wars. A popular scene reenactment was the trash compactor scene, when …

Kiku Hughes’ graphic novel Displacement addresses the intergenerational trauma of Japanese American incarceration through a story of time travel

Tamiko Nimura


Falling Into Public History: My Writing about Japanese American and African American Community Stories

Tamiko Nimura

The following essay is adapted from a talk that I gave to the City of Tacoma Historic Preservation, Tacoma Historical Society, and Historic Tacoma in November 2020. An edited video version is available here on YouTube.

Kizuna 2020: Nikkei Kindness and Solidarity During the COVID-19 Pandemic

Care Is Free: Behind the Scenes with Two Nikkei Sisters and 35 Care Packages

Tamiko Nimura

In October 2020, Tamiko and Teruko Nimura were asked to create a community engagement public art project for Tacoma Arts Month (a month celebrating arts and artists in Tacoma). They drew on their Japanese American heritage and created a batch of care packages which they distributed all over Tacoma, Tamiko’s …

A Conversation With Aya Hashiguchi Clark on the Past, Present, and Future of Japanese American Theater

Tamiko Nimura

Given COVID-19 circumstances, the state of live theater in America is changing radically in 2020–but it is also changing because of the social uprisings and racial reckonings. Veteran Tacoma producer, actress, and writer Aya Hashiguchi Clark has had much to say lately around these changes, and I wanted to find …

Behind the Tadaima! Scenes with Kimiko Marr of Japanese American Memorial Pilgrimages 

Tamiko Nimura


Keywords For Being Nikkei In A Moment of Racial Reckoning

Tamiko Nimura


Persimmon and Frog: Reading a Kibei-Nisei Tacoma Artist's Journey

Tamiko Nimura

In 2014, I had visited Tacoma artist Fumiko Kimura in order to profile her for a retrospective exhibition at Tacoma Community College. Kimura’s story and artistic journey fascinated me. When I met her, she was a Kibei-Nisei artist in her 80s. Last year, she celebrated her 90th birthday. She is …

Kizuna 2020: Nikkei Kindness and Solidarity During the COVID-19 Pandemic

Learning From the Issei Grandfather I Never Met

Tamiko Nimura

“What you are feeling is grief,” says the article from Harvard Business Review. And yes, living in COVID-19 in Washington State, March 2020 feels like a kind of grief, even though I have grieved before. But the waking up to a profoundly altered reality each day, each wave a fresh …

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Informação

Tamiko Nimura is an Asian American writer living in Tacoma, Washington. Her training in literature and American ethnic studies (MA, PhD, University of Washington) prepared her to research, document, and tell the stories of people of color. She has been writing for Discover Nikkei since 2008.

Tamiko just published her first book, <em>Rosa Franklin: A Life in Health Care, Public Service, and Social Justice</em> (Washington State Legislature Oral History Program, 2020). Her second book is a co-written graphic novel, titled <em>We Hereby Refuse: Japanese American Resistance to Wartime Incarceration</em> (Chin Music Press/Wing Luke Asian Museum, forthcoming February 9, 2021). She is working on a memoir called <em>PILGRIMAGE</em>.

Interesses sobre os nikkeis

  • histórias comunitárias
  • histórias familiares
  • festivais/matsuri
  • culinária japonesa/nikkei
  • bairros japoneses
  • taiko

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