tnimuraによるコンテンツ

Reframing Japanese American Bitterness: A Partial Chronology

タミコ・ニムラ

It is February 2022, and the 80th anniversary of the signing of Executive Order 9066 has just passed with a groundswell of events commemorating a National Japanese American Day of Remembrance. I am grateful to have participated in a few, and proud of the Japanese American community for all of …

Tracing the Past With The Present: Yonsei Artist Lauren Iida

タミコ・ニムラ

Yonsei artist Lauren Iida and I first met online years ago when I interviewed her from Cambodia. Since that conversation her arts practice has expanded and deepened, as has her entrepreneurship and mentorship—all of these factors making her career an exciting one to watch. Her beautifully evocative paper cutting artworks …

“War Did Not Break This Family”: Nancy Kyoko Oda and the Tule Lake Stockade Diary

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In 2014, I was training to be a discussion leader for the intergenerational dialogues that are an integral part of the Tule Lake pilgrimage. In the training session with 20+ participants, we were given three minutes to introduce ourselves to each other, in pairs. I was sitting next to a …

Power of Our Stories

On Topaz Stories and “Authentic Voice”: A Conversation With Writer And Editor Ruth Sasaki - Part 2

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Power of Our Stories

On Topaz Stories and “Authentic Voice”: A Conversation With Writer And Editor Ruth Sasaki - Part 1

タミコ・ニムラ


The Redress Origins of the Hidden Histories of San Jose Japantown: A Conversation with Susan Hayase and Tom Izu

タミコ・ニムラ


A Sister Artist Interview: Teruko Nimura And the Eloquence of Handmade Objects

タミコ・ニムラ

Strings of origami cranes, circles of wish lanterns, maneki nekos and daruma figures—for decades I’ve watched my sister Teruko grow as an artist. I remember Teruko’s pencil sketches and charcoal drawings that our mother framed in our hallway to Teruko’s first solo show in Sacramento to public art installations in …

An Interview With City of Ghosts Yonsei Creator Elizabeth Ito 

タミコ・ニムラ

A maneki neko statue keeps moving mysteriously around a “sort of” Japanese restaurant in Boyle Heights. A music teacher keeps hearing some drumming in Leimert Park, with no visible drummer. A team of kid detectives roams Los Angeles, looking for ghosts—not to vaporize or “bust” them, but to listen to …

“Be Bold”: The Artistry of 99-Year Old Kibei Nisei Artist Koho Yamamoto

タミコ・ニムラ

Was I looking at a pile of charred kindling, a set of raven’s wings or feathers?

On Nikkei and Cross-Racial Solidarity: Three Seattle-Area Artist/Activist Perspectives

タミコ・ニムラ

In a heightened wave of anti-Asian racism, including attacks on Asian elders and the murders of 8 Asian women in Atlanta, I have felt the need to reach out—to family, to friends, to community. (For more about what’s been happening in the Seattle area, including a response from Yonsei professor …

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サイト情報

Tamiko Nimura is an Asian American writer living in Tacoma, Washington. Her training in literature and American ethnic studies (MA, PhD, University of Washington) prepared her to research, document, and tell the stories of people of color. She has been writing for Discover Nikkei since 2008.

Tamiko just published her first book, <em>Rosa Franklin: A Life in Health Care, Public Service, and Social Justice</em> (Washington State Legislature Oral History Program, 2020). Her second book is a co-written graphic novel, titled <em>We Hereby Refuse: Japanese American Resistance to Wartime Incarceration</em> (Chin Music Press/Wing Luke Asian Museum, forthcoming February 9, 2021). She is working on a memoir called <em>PILGRIMAGE</em>.

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