ディスカバー・ニッケイ

https://www.discovernikkei.org/ja/journal/author/monnier-mia/

ミア・ナカジ・モニエ

(Mia Nakaji Monnier)

@miam

ロサンゼルスを拠点に活動するライター、編集者。カリフォルニアで日本人の母とアメリカ人の父のもとに生まれる。京都、バーモント州の小さな町、テキサス州の郊外など、11の異なる都市や町に住んだ経験がある。ミア・ナカジ・モニエへの問い合わせ、本人執筆による記事の閲覧はこちらから:mianakajimonnier.com

(2015年7月 更新) 


この執筆者によるストーリー

日系アメリカ人国立博物館オンラインストア
Hapa-ly Ever After: An Interview with Jeff Chiba Stearns

2012年6月12日 • ミア・ナカジ・モニエ

Growing up in the predominantly white city of Kelowna, British Columbia, Jeff Chiba Stearns felt very aware of being different from most of the people around him. Born to a Sansei mother and “Euro-mutt” father (of English, Scottish, German, and Russian descent), he was no stranger to the “What are you?” question. Over the years, Stearns continued to reflect on his cultural identity until eventually he began to illustrate his thoughts (using a process he calls “animation meditation”). The result, …

From Crenshaw to Deerhorn: An Interview with Nina Revoyr

2012年2月16日 • ミア・ナカジ・モニエ

My first introduction to Nina Revoyr’s writing was through her 2003 novel, Southland, a story of love, family, and hopes interrupted by forces of hysteria and racial hatred. Told from multiple perspectives during 1994, WWII, and the Watts Riots, Southland shows readers a Los Angeles of shifting borders and poignant history. All of Revoyr’s four novels share an incorporation of regional history, atmospheric prose, and complicated layers of race and sexuality that the author never treats with a heavy hand. …

Lost and Found: Amy Hill on Adoption and Identity

2011年9月28日 • ミア・ナカジ・モニエ

In the last two and a half decades, Amy Hill has owned a Hawaiian fruit stand, tried in vain to dissuade her elderly father from becoming a Japanese porn star, and provided scientific aid to a teenage secret agent. Oh, and she’s also an actress. In addition to the above roles in Lilo and Stitch, Paul Kikuchi’s Wrinkles, and the Disney Channel’s Kim Possible, Hill has appeared on Glee, Law and Order, Frasier, Seinfeld, and General Hospital. Her voice graces …

日系アメリカ人国立博物館オンラインストア
Generation Teas

2011年3月29日 • ミア・ナカジ・モニエ

In the Japanese American National Museum Store lives a five-generation family of teas, dressed in colorful labels, snuggling tin-to-tin on the shelf they call home. This flavorful family is the realization of Maria Kwong’s more-than-a-decade-long dream to bring custom tea to the National Museum. For Maria, the Museum’s Director of Retail & Visitor Services, it had been a dream delayed by the challenge of finding a tea company willing to produce blends in quantities small enough to suit the Museum’s …

絆:ニッケイ・ストーリー ~東日本大震災から~
Reflections on Alexandra Wallace and the "Remember Pearl Harbor" Gang

2011年3月18日 • ミア・ナカジ・モニエ

In one weekend, a video posted by UCLA student Alexandra Wallace exploded all over YouTube, spurring responses in only a matter of hours, ranging from public service announcement-type videos made by concerned fellow students to lighthearted spoofs and angry retorts—even to videos and comments more ignorant and hateful than Wallace’s original. Wallace initially posted the video on her own YouTube channel then removed it, only for it to be replaced soon after by numerous clones. The video is a rant …

Their Struggles Are Our Struggles - Part 2

2011年1月21日 • ミア・ナカジ・モニエ

>> Part 1Nakamura is a Yonsei with a passion for music, sports, and storytelling. At 30 years old, he has already created a trilogy of documentaries on the Asian American Movement that comprises Yellow Brotherhood (2003), Pilgrimage (2007), and A Song for Ourselves (2009). His current project is a film about rising ukulele superstar Jake Shimabukuro. The son of renowned filmmakers Robert Nakamura and Karen Ishizuka, Nakamura grew up in Culver City where he attended the Senshin Buddhist Temple, played …

Their Struggles Are Our Struggles - Part 1

2011年1月14日 • ミア・ナカジ・モニエ

Documentary filmmaker Tad Nakamura illustrates parallels between Japanese American history and current American issuesTad Nakamura's Pilgrimage begins with a shot of candles in the darkness. The camera scans over the lowered heads of people gathered together in vigil outside the Japanese American National Museum, as music plays solemn and slow. As if pushed along by the music, the scene changes to black-and-white, grainy footage of a little girl running. All around her are barracks. Nearby, a plainly-dressed family gathers for a photo as an old …

Maya Soetoro-Ng and the Gift of Belonging

2010年8月26日 • ミア・ナカジ・モニエ

Parents and children slowly began to gather in the upstairs foyer of the Japanese American National Museum on Saturday, June 12 to await the arrival of Maya Soetoro-Ng, scheduled to read from her upcoming children’s book, Ladder to the Moon . Guests streamed in and out of the museum all day for a program full of events sponsored by the Target Family Free Saturday program in conjunction with the Mixed Roots Film Festival. Other events included a demonstration on how …

16 Years Later: The Heart Mountain Barracks Project

2010年8月2日 • ミア・ナカジ・モニエ

Upstairs in the Japanese American National Museum is a barrack from Heart Mountain Relocation Center. For visitors, the barrack has come to feel like the heart of the museum, a tangible reminder of the unconstitutional incarceration of over 120,000 Japanese Americans during WWII in America’s own concentration camps. The story of how the barrack came to the museum began more than fifteen years ago, around the time when staff members began discussing plans to relocate the museum’s collection to a …

日系アメリカ人国立博物館オンラインストア
Joel Nakamura Mixes the Ancient and the Modern with Compassion... and Spam?

2010年6月22日 • ミア・ナカジ・モニエ

A giant fly hovers, poised on translucent wings that appear too small to support his weight, his face a bright, whimsical Tiki mask in shades of blue, green, and yellow. Protruding from his body are three pairs of human-like legs in black and gray patterned tights. In the distance, his friends watch, their faces frozen in horror and amusement. The fly’s eyes burn with concentration as his tongue strains toward his prey: a winged, rectangular can of Spam. This is …

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