Descubra a los Nikkei

https://www.discovernikkei.org/es/journal/series/kojis-column/

La Columna de Koji


13 de diciembre de 2006 - 9 de noviembre de 2012

“La Columna de Koji” (Koji’s Column) es una contribución del miembro del staff del Museo Nacional Japonés Americano, Koji Steven Sakai. Su columna explora la identidad y la cultura nikkei desde el punto de vista de un hombre japonés americano del sur de California de segunda y cuarta generación.



Historias de Esta Serie

To the guy that bothered me at the mall

24 de octubre de 2007 • Koji Steven Sakai

Since we are both humans, I assure you we are the same. The same DNA, RNA, and cells. If not exact copies, close replicas. Then what is it about me that causes you to treat me differently than one of your own? Being here, standing in line with you at the store, walking behind you in this mall, sitting next to you at the food court, you act as though I am foreigner – when I know no other country. …

My Grandfather: Takaichi Sakai

19 de septiembre de 2007 • Koji Steven Sakai

He burned sensitive files while working for a foreign government. He said that he was not willing to fight for the United States and would not give up his allegiance to a foreign power during a time of war. He renounced his American citizenship. Who was this enemy of the United States? He was my grandfather on my dad’s side. Having died before I was born, he was and has always been an enigma to me. My Aunt, my father’s …

When I was a Kid…

22 de agosto de 2007 • Koji Steven Sakai

When I was a kid, I remember thinking the world was almost perfect. I assumed that by the time I became an adult, we would have solved all the major problems humanity has ever faced – sickness, war, poverty, and racism. At the time, racism was only a concept to me. I mean, I knew that it happened. I knew that in the past people hated other people because of something totally arbitrary such as race. But not anymore, right? …

Are you a true JA?

25 de julio de 2007 • Koji Steven Sakai

Since I’m yonsei (fourth generation) and work at the Japanese American National Museum, I’ve been asked on many occasions to explain what it means to be Japanese American (JA). I’ve always struggled with this. How do you explain an entire culture without boring the questioner to death? How do you define a culture without it sounding trite? How do you talk about anything Asian without making it exotic? In my quest to find out what it meant to be JA, …

A Japanese American Writer’s Perspective on Writing

21 de junio de 2007 • Koji Steven Sakai

Is it okay for a person who is non-Japanese American to write about the Japanese American (JA) experience? My immediate reaction is no. I’m sick of other people writing my history and stories. I’m sick of having my culture hijacked, even by those who have the best of intentions. Can a person who is non-Japanese American capture what it is like to be Japanese American in a true and authentic way? My immediate reaction again is no. They can try …

Marrying Japanese

16 de mayo de 2007 • Koji Steven Sakai

My mother has given me a preference list on which races I should/could marry. First on that illustrious list is Japanese. Since my mother is Japanese, she wants to make sure she has someone to speak to when she’s old and forgets English. Next is Caucasian, because according to her if my wife isn’t Japanese (what a disappointment I would be) the best she can hope for is beautiful grandchildren. Chinese is third. She prefers wealthy girls from Taiwan and …

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Autor en Esta Serie

Koji Steven Sakai ha escrito cuatro largometrajes que han sido producidos, Haunted Highway (2006), The People I’ve Slept With (2009), Monster & Me (2012) y #1 Serial Killer (2012). También fue productor de The People I’ve Slept With y de #1 Serial Killer. Su guión de largometraje, Romeo, Juliet & Rosaline, fue adquirido por los Estudios Amazon. La novela debut de Koji, Romeo & Juliet Vs. Zombies, fue publicada por Luthando Coeur, la editorial de fantasía de Zharmae Publishing Press en febrero de 2015. 

Última actualización en marzo de 2015