La revisión literaria asiático-americana
La Asian American Literary Review es un espacio para escritores que consideran la designación "asiático-americano" como un punto de partida fructífero para una visión artística y una comunidad. Al mostrar el trabajo de escritores consagrados y emergentes, la revista tiene como objetivo incubar diálogos y, lo que es igualmente importante, abrir esos diálogos a audiencias regionales, nacionales e internacionales de todos los sectores. Selecciona obras que son, como dijo una vez Marianne Moore, "una expresión de nuestras necesidades... [y] sentimientos, modificados por las ideas morales y técnicas del escritor".
Publicado cada dos años, AALR presenta ficción, poesía, no ficción creativa, cómics, entrevistas y reseñas de libros. Discover Nikkei presentará historias seleccionadas de sus ediciones.
Visite su sitio web para obtener más información y suscribirse a la publicación: www.asianamericanliteraryreview.org
Historias de Esta Serie
Asian American Literature Forum Response by Anna Kazumi Stahl - Part 2
8 de julio de 2012 • Anna K. Stahl
Read part 1 >> To get back to the prompt this forum is based on, I answer that I do see a parallelism between those expansions in an Asian American literature’s aesthetic/stylistic reach and that 1980s Presidential apology to Japanese Americans (although those $20,000 checks remain a bit of a thorn, and most pooled the money for monuments and programs that would keep the memory of those ten internment camps alive for future generations). Those were the kinds of things that …
Asian American Literature Forum Response by Anna Kazumi Stahl - Part 1
1 de julio de 2012 • Anna K. Stahl
“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earlier generation of writers which first raised the banner of an Asian American literature and a later generation of writers which inherited it?” The Asian American Literary Review asked writers to respond to this question for their Spring 2012 issue on “Generations.” Forum Response by Anna Kazumi Stahl Given that I was born to a mixed race couple (Japanese and German) in the Deep South in 1963, I grew …
Asian American Literature Forum Response by Velina Hasu Houston
24 de junio de 2012 • Velina Hasu Houston
“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earlier generation of writers which first raised the banner of an Asian American literature and a later generation of writers which inherited it?” The Asian American Literary Review asked writers to respond to this question for their Spring 2012 issue on “Generations.”Forum Response by Velina Hasu HoustonRespecting History As a playwright of Asian descent, I find my perspectives on Asian American literature naturally gravitate toward Asian American dramatic literature. …
Asian American Literature Forum Response by Richard Oyama
17 de junio de 2012 • Richard Oyama
“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earlier generation of writers which first raised the banner of an Asian American literature and a later generation of writers which inherited it?” The Asian American Literary Review asked writers to respond to this question for their Spring 2012 issue on “Generations.” Forum Response by Richard Oyama In 1974 I first went to Basement Workshop (BW), an Asian American arts organization in New York’s Chinatown. Though I’d taken creative …
Asian American Literature Forum Response by David Mura - Part 2
10 de junio de 2012 • David Mura
Read Part 1 >> Recently, in Minneapolis, Pangea World Theater presented Lebanese American writer Kathy Haddad’s Zafira: The Olive Oil Warrior, a work which imagines Arab and Muslim Americans being rounded up and interned in a manner similar to Japanese Americans in World War II. The play even employed a quotation from a 1942 LA Times editorial calling for the internment of Japanese Americans and merely substituted the term Arab Americans. I was one of the few audience members who recognized …
Asian American Literature Forum Response by David Mura - Part 1
3 de junio de 2012 • David Mura
AALR Spring 2012 Issue“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earlier generation of writers which first raised the banner of an Asian American literature and a later generation of writers which inherited it?” This is the question that the Asian American Literary Review’s Spring 2012 issue on “Generations” posed to writers, poets, playwrights, spoken word performers, scholars, and publishers of various generations, regions, and ethnic and artistic communities. What emerged was a vital survey of generational …
