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Lisa Uyeda is an archivist and a Nikkei yonsei (fourth generation Japanese Canadian) with deep family roots in Vancouver’s historic Powell Street area. She holds a Masters Degree in Archival Studies from the University of British Columbia and an Honours Bachelor of Science from the University of Toronto. Born and raised in Toronto, Lisa volunteered and worked at the Japanese Canadian Cultural Centre where she documented over 100 oral histories, coordinated three conferences, and contributed to the early development of the Moriyama Nikkei Heritage Centre. In 2014, Lisa was the recipient of the Early Career Development Internship Program and was mentored by the Information Manager at the Museum of Anthropology’s Audrey & Harry Hawthorn Library & Archives. Immediately following the internship, Lisa worked at BC Hydro Library and Archives, and is currently the Collections Manager at the Nikkei National Museum & Cultural Centre. In 2018, Lisa became a member of the Landscapes of Injustice Project Steering Committee and co-chair of the Archival Website cluster. Partnered with Stewart Arneil (Head of Research and Development at the Humanities Computing and Media Centre at the University of Victoria), the Archival Website cluster will amalgamate the resources gathered and created by the project so as to foster future scholarly research and provide access to the Nikkei community and general public. Well connected across the Nikkei community, Lisa serves on a number of volunteer committees that focus on Nikkei history, human rights, and young leadership. She is active with the National Association of Japanese Canadians and served as a Director on the National Executive Board and Chair of the Heritage Committee from 2014-2018. Lisa currently resides in Vancouver on the traditional, ancestral, and unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations.






I'm the daughter-in-law of George (Shizuo) Hosaki and Kay (Kazue Maikawa) Hosaki. My husband is Wayne Derek Hosaki. Married October 1, 1977. We have two daughters Sarah Ann Akiko and Kimiko Marie May and are proud grandparents to a little boy Keoki. I work with my husband at Birchmount Collision that was started in 1958 by George.

The Langham Cultural Society is housed in a 120 year old Heritage building in Kaslo, BC. It is here during WWII where Canadians of Japanese descent were interned. 1100 Japanese Canadians were interned in Kaslo village, and 80 were housed at the Langham. The Langham building was restored in the early seventies and now houses the Japanese Canadian Museum, along with 2 galleries, a theatre, and 14 studios.


Tonari Gumi/隣組 (The Japanese Community Volunteers Association) is a non-profit community organization, committed in serving the needs of the Japanese Canadian community through volunteerism, support and outreach. Founded in 1974 and based in Vancouver BC, we help seniors and other vulnerable individuals lead independent and healthy lives. For more information, please visit: www.tonarigumi.ca To learn more about our fundraising efforts, through the 1000 Cranes (Sen Ba Zuru) Fundraising Initiative, please visit: http://donations.tonarigumi.ca/

Yamabiko Taiko was founded in the spring of 2003 in Kelowna, BC, Canada, by Eri Uchida with the assistance of Ken Fix. The group was begun with very humble and simple desires: to enjoy and play Japanese Taiko-style drumming and be lost in its power and grace. With only a few members, practices began that summer using duct-taped tires and sawn-up broomstick handles. By the middle of autumn, a connection was made with the Kelowna Buddhist Temple to use their hall as a practice space. The relationship with the temple and Japanese community has since flourished. As Yamabiko gathered members and experience we were able to acquire our very first crude but effective drums. They were homemade with ordinary packing tape and, believe it or not, 18-inch cut-to-size sewer pipes (unused of course!) donated by the City of Kelowna. Since then, the group has purchased professionally-made performance drums, and has evolved into a regularly performing group. Practices are still held in the basement of Kelowna Buddhist Temple every Monday and Friday evening, and upcoming performances are listed at www.yamabikotaiko.ca. Eri Uchida, upon founding Yamabiko Taiko, was its first dedicated, gifted leader. She has since moved back to Japan where she has become a member of the famous taiko group “Kodo”. Yamabiko owes her much gratitude and credit, as much of our repertoire comprises songs the group originally learned from her. We wish her the best of luck with her taiko endeavours. Yamabiko also acknowledges those who have helped our group both during our formative years and up to the present. Particular acknowledgement of support goes to: Ken Fix, Doug Masuhara from the Steveston Taiko, Art Lee from Tokara Taiko, and The Kelowna Buddhist Temple. The name “Yamabiko” means “mountain echo”. Kelowna is situated in the Okanagan Valley, surrounded by mountains. The sound of taiko resonates not just literally throughout the mountains of the Valley, but also figuratively as the “echo” reaches around the world, and pays homage to Japan. The “echo” represents communication that transcends linguistic and cultural boundaries, ultimately sharing the rhythm of our hearts.



I am a Yonsei Japanese Canadian; a “hapa”. Researching my family history, I became fascinated and angered with the events of the WW2 internment of Japanese Canadians to the point that I eventually spent twelve years making a film about my grandmother’s experiences during the internment. The film is called Hatsumi and is used in classrooms across Canada to assist teachers to teach the internment chapter to Canadian history students. I am a lawyer by trade, the treasurer of the Japanese Canadian Cultural Centre in Toronto and a member of the board of governors of the Japanese American National Museum in L.A..

Born & raised in Greenwood, B.C.


A graduate of U.B.C. and retired teacher since 2002. Coached various sports for 41 years, but in 2010, I wanted to devote more time to the Nikkei history. I wrote two books, "Hanatare Bozu" and " Family History of Greenwood-Midway.



Hello! I'm a yonsei from canada. Technically speaking, I am a quarter Japanese and a quarter Chinese, but I was given no knowledge or exposure to my Chinese side, and I have always identified as a Japanese-Canadian. I am half caucasion from my mum's side, and thus have always experienced a little confusion in regards to my self identification. Recentally, I returned from an exchange to Japan (which consisted of visting Hiroshima, the city my great-grandparent's came from), and have made an effort to rediscouver and reclaim some of my culture. I hope this community will help me do so in a respectful manner!

Booming Tree "Canada's Taiko Duo" We perform to celebrate the power and strength of the human form. We bring the power of Japanese taiko and our intense performing style to create extraordinary experiences.

Fumio Frank Maikawa (Kintarosan) is a Japanese Canadian Nikkei. Retired for the past 17 years, he enjoys life with his wife, Susan, in the beautiful town of Collingwood, Ontario. Born in Vancouver, British Columbia, but lost his innocence for being an unfortunate, unwanted ‘yellow baby’. This part of the Canadian era was despicable and unconscionable. Displaced out of his home province, he was fortunately rescued by the beautiful and loving people of Ontario. They say that there are always ups and downs in life, but what a wild roller coaster ride he experienced! These life experiences personified his rite of passage into the man he is today. He was bullied into thinking he was a ‘nothing’, but showed them one better – he became a proud Canadian who is respected by friends and family. He is still trying to be a difference maker.

Midnight Taiko Kai was founded in 2006 by three members, bringing with them a combined 15 years experience from various Taiko groups in Japan and the United States. Today, the group has 11 members with 50 years of combined drumming experience and have performed in over 100 events throughout Calgary and Alberta. They are committed to challenging themselves to improve individually while performing together strongly as a team. Their goal is to share their passion for drumming and perpetuate the art by creating powerful rhythms, heart-stopping beats, and eye-catching performances - playing well into the night. Visit us on our website at www.midnight-taiko.com.
Nima of the Month
Learn about some of our favorite Nima and what they like about Discover Nikkei.

Miami, Florida, United States of America
Manuel Okata was born in Cienfuegos, Cuba. He studied visual arts at the Benny Moré Arts Academy and the Cuban University of the Arts in Havana, where he graduated from the Scenic Design program in 2020. Since he was a child, his family was always very connected to the Nikkei community. In 2017, Manuel had the honor of meeting the former prime minister of Japan, Shinzo Abe, which sparked him to take on a more active role in the community. In 2019, he traveled to Japan to study Japanese language and culture through the MEXT program, and had the opportunity to reconnect with several family members.
Manuel became a Discover Nikkei volunteer in 2024. He has lent his illustration and graphic design skills to our site and our social media accounts, including creating an Oshogatsu illustration for our email newsletter and Instagram and revamping our Nikkei Uncovered poetry column logo. We are so grateful for Manuel’s creative contributions to making our site a more vibrant and colorful place, and we’re excited to share more of his work in the coming months!
How did you learn about Discover Nikkei and why did you decide to become a volunteer?
After returning from Japan, I continued my activities within the Comité Gestor of the Japanese colony in Cuba, in charge of areas related to education and culture, alongside Susana Oye. Through her, I learned about the project called Discover Nikkei. A year ago I arrived in the United States, and I wanted to find a way to stay connected with the Nikkei community here, which is why I decided to offer myself as a volunteer and collaborator with Discover Nikkei through illustration and design. I hope in the future to remain connected and connect further with all the Nikkei here and around the world.
How do you connect to your Nikkei identity?
I think I connect with my Nikkei identity through my day-today, even in my projects. It’s part of who I am and I feel proud. In my work, I try to fuse my cultural roots, like I myself am: a mix of various nationalities and identities.
Are you a Nima*?
*The term “Nima” comes from combining Nikkei and nakama (Japanese for “colleagues”, or “fellows”, or “circle”).
Discover Nikkei Updates

Join us for a book talk, reception, and panel discussion on Japanese Canadian history. The panel discussion will also be live-streamed via Zoom!

