Nima-kai
Nima-kai Search
Hello! My name's Gian-Luca. My mom's Africo-Puerto Rican, my dad's Japanese-Brazilian. I speak English, Spanish, and Portuguese fluently, but my Japanese is super rusty. I'm currently working on improving that, especially since I plan on going to graduate school in Japan (Tōkōdai, woot woot!). I'm currently in school, double majoring in Computer Sciences and Sustainability, and double minoring in Environmental studies and Architecture. Crazy, right? I know. In any case, I love horses, tech, science, museums, coffee, wasabi peas, obscure, intellectual toys (Newton cradle, rubik's cubes, Maneki neko, and beer. Hello:)
Kuramoto Family in Gardena, CA, early 1900's. Born in Tokyo, Japan 1955; mother born in Gardena, CA 1917; grandfather Jirokichi Kuramoto, b. 1866, Japan; strawberry farmer; arrived prior to 1900 by ship to Seattle, WA; worked railroad in WA, OR, CA; until settling first in Kern County, then Gardena, CA. Married Kiyo Hashimoto 1900? Sold farm to Mr. Knotts of Knotts Berry Farm prior to WWII and returned to Tokyo, Japan with his family. Mother returned to States 1959 [mother married my father (US military) in 1954]. I am very happy to be part of Discover Nikkei.
The mission of the Oregon Nikkei Endowment is to preserve and honor the history and culture of Japanese Americans in the Pacific Northwest, to educate the public about the Japanese American experience during World War II, and to advocate for the protection of civil rights for all Americans. In 1990, the Japanese American Historical Plaza was completed at the north end of the Tom McCall Waterfront Park in Portland. Conceived and guided by the Oregon Nikkei Endowment and designed by the late Robert Murase, the Plaza, along with its narrative of sculpted stones, stands as a permanent memorial to the lives of Oregon Nikkei and their determined pursuit of liberty, equality, and justice as American citizens. With funding from the Meyer Memorial Trust and support from the Japanese National Museum in Los Angeles, the Oregon Historical Society and the Portland Nikkei community, an exhibition honoring the first Issei pioneers in Oregon was developed in 1993. It was while researching "In This Great Land of Freedom: The Issei Pioneers of Oregon" that the Nikkei community was alarmed to find that historical documentation relating to these early settlers was rapidly disappearing. The prospect of losing forever the legacy of their Issei forebears quickly moved the community to action. An Oregon Nikkei Endowment committee was formed, and work began in earnest to locate a site for what would one day become the Oregon Nikkei Legacy Center. By 1996 and with the help of the late Bill Naito, the committee had located a potential site owned by the H. Naito Corporation on Northwest Front Avenue across from the Japanese American Historical Plaza. Negotiation for acquiring the property and bringing it up to city building codes began, but were suspended upon the untimely death of Mr. Naito. Subsequently, Sam Naito and the H. Naito Corporation proposed an alternative site in Portland's Old Town on NW Second Avenue. In September of 2004, the Oregon Nikkei Legacy Center relocated to 121 NW Second Avenue, the current home of the Legacy Center.
I am Manager of the Minidoka Swing Band - a tribute band remembering the music that made life bearable behind barbed wire in the Japanese American Internment camps of WWII. Named after the Minidoka Internment Camp near Twin Falls, ID
Henry Amick is Education Manager at Oregon Nikkei Endowment. He has been providing museum services since the late 1980s. He was the director of education for the publicly operated museums of the City of Detroit, heritage research fellow in Sweden, and educational adviser to the creation of the Arab American National Museum. Amick earned a BA in History from Albion College, an MS in Preservation from Eastern Michigan University, and a Certificate in Cultural Leadership from the University of Victoria (Canada). He has a specialization in effect of environments on enhancing human potential.
Hiro Ramos Nako is a Peruvian writer with a bachelor’s degree in Communication from the Universidad de Lima. Having attended two different Japanese school in Lima growing up, Hiro is very familiar with Lima’s Nikkei community. He hopes to continue working on his Japanese skills now that his Japanese has gotten a bit rusty.
Hiro began volunteering as a writer for Discover Nikkei in 2024, and has written several stories about the Nikkei community in Lima. Hiro enjoys covering Peru’s cultural landscape and sharing stories about the Peruvian Nikkei community. He strives to use his writing as a tool to promote diversity and fight against social injustice. Check out some of Hiro’s stories on Discover Nikkei to learn more about Nikkei in Peru.
What do you like most about Discover Nikkei?
What I like the most about Discover Nikkei is all the opportunities I am given to explore the diversity of the Nikkei community. From writing chronicles to interviewing fellow Peruvian Nikkei people, I believe all these different stories have taught me different things about myself and my community and have made me closer to it. Even though I feel like I haven’t been here for too long, I believe that Discover Nikkei has made me experience writing in a different way, which makes me feel more fulfilled. For a few articles I’ve written, I’ve reconnected with people I hadn’t reached out to in years, and I’ve also met new people whose life stories have made me see a wider scope of the history of both Japanese immigration and the Nikkei community worldwide.
How do you connect to your Nikkei identity?
Responding to this question used to be something that I struggled with. Despite being heavily connected to the community from having Nikkei friends, studying in Nikkei schools, and participating in events, I often didn’t feel as connected as others. This is something I’ve heard a few other people my age say they have experienced, since the further we get from the initial immigration generation, the more some traditions get lost. However, now I’ve realized that I connect to my identity in different ways. The shared experiences I have with others from my generation might not be similar to the ones our parents or grandparents had, but we still have a lot in common and that makes us feel connected. I also feel connected with my identity by learning more about other people’s life stories, because they often make me realize I’m not the only one with some experiences.
Discover Nikkei Updates
See exciting new changes to Discover Nikkei. Find out what’s new and what’s coming soon!