Nima-kai
Nima-kai Search
I’m a Yonsei, occasional artist and writer, and full-time Digital Program Manager at the Japanese American National Museum. I was born in Los Angeles and have lived in Southern California almost my entire life. I am fluent in English, can understand about 80% of conversational Japanese, and don’t know any Spanish or Portuguese (although after having worked on Discover Nikkei for so long, would like to learn someday). I love working in Little Tokyo and living in Gardena. Both areas give me wonderful access to Japanese/Nikkei food, community, and culture. I bowl in a Nikkei league once a week, and spend my free time eating, sleeping, playing on my phone and computer, rooting for the Dodgers, watching TV and reading, spending time with family and friends, and traveling. I love working on Discover Nikkei and learning about so many different Nikkei experiences around the world!
Okinawa Association of America (OAA) in Gardena, California | Preserving, promoting, and perpetuating Okinawan culture Connect with us: https://instagram.com/oaamensore https://facebook.com/oaamensore Sign up for our email list: https://tinyurl.com/oaa-email-list
-Mission- The Gardena Valley Japanese Cultural Institute serves the needs of the Japanese American community of the South Bay Area through educational, cultural and social programs by: Providing programs and activities, sensitive and relevant, to the needs of our senior citizens and youth; Offering use of facilities and support to community organizations which foster the best interests and welfare of the community and Striving to create an environment for better inter-generational understanding, for perpetuating the ethnic heritage of Americans of Japanese ancestry, and for promoting cultural pride and respect for all humanity. -Company Overview- The Gardena Valley Japanese Cultural Institute (GVJCI) is a 501(c)(3) non-profit community center providing various classes, programs, services, and facilities to the South Bay area. We also provide affordable housing through the JCI Gardens Apartments, the adjacent senior housing property. The GVJCI's roots date back to 1912, with the establishment of the Moneta Gakuen, a Japanese language school. In 1967, it was formally incorporated as the Gardena Valley Japanese Language School. Then, in 1968, the corporation changed its name to the Gardena Valley Japanese Cultural Institute to incorporate the broader services and functions the organization offered. In 1971, Compton Gakuen, Gardena Gakuen, and Moneta Gakuen merged, opening its doors officially as the GVJCI's Japanese Language School.
Ryukyukoku Matsuri Daiko literally translates to “Ryukyu Kingdom Festival Drums”. Ryukyu Kingdom is the ancient name for what is presently known as the Okinawa prefecture of Japan. Located just southwest of mainland Japan and northeast of Taiwan, it consists of about fifty islands, of which Okinawa is the largest. Due to its unique location, its culture and traditions have been greatly influenced not only by Japan, but also China, Korea and southeast Asia. Ryukyukoku Matsuri Daiko is modeled on the traditional Okinawan obon festival drum dancing called “eisa”. The performers dance and drum simultaneously to an exciting blend of traditional and contemporary Okinawan and Japanese music. The group performs with several types of drums: the odaiko (big drum), which is suspended in front of the body by long pieces of purple cloth over the shoulder and back, the shime-daiko (hand-held, flat, two-sided drum), and the paranku (hand-held, flat, one-sided drum). The organization was founded in 1982 in Okinawa. It also has chapters in mainland Japan, Argentina, Brazil, Peru, Bolivia, and Hawaii. The Los Angeles chapter was established in 1995, and has performed at such venues as the The Grove, Nisei Week Parade, Taiko Gathering, and Coronation Ball, the Cherry Blossom Festival in Monterey Park, the U.S. Japan Expo, Los Angeles, and the L.A. County Fair.
Hiro Ramos Nako is a Peruvian writer with a bachelor’s degree in Communication from the Universidad de Lima. Having attended two different Japanese school in Lima growing up, Hiro is very familiar with Lima’s Nikkei community. He hopes to continue working on his Japanese skills now that his Japanese has gotten a bit rusty.
Hiro began volunteering as a writer for Discover Nikkei in 2024, and has written several stories about the Nikkei community in Lima. Hiro enjoys covering Peru’s cultural landscape and sharing stories about the Peruvian Nikkei community. He strives to use his writing as a tool to promote diversity and fight against social injustice. Check out some of Hiro’s stories on Discover Nikkei to learn more about Nikkei in Peru.
What do you like most about Discover Nikkei?
What I like the most about Discover Nikkei is all the opportunities I am given to explore the diversity of the Nikkei community. From writing chronicles to interviewing fellow Peruvian Nikkei people, I believe all these different stories have taught me different things about myself and my community and have made me closer to it. Even though I feel like I haven’t been here for too long, I believe that Discover Nikkei has made me experience writing in a different way, which makes me feel more fulfilled. For a few articles I’ve written, I’ve reconnected with people I hadn’t reached out to in years, and I’ve also met new people whose life stories have made me see a wider scope of the history of both Japanese immigration and the Nikkei community worldwide.
How do you connect to your Nikkei identity?
Responding to this question used to be something that I struggled with. Despite being heavily connected to the community from having Nikkei friends, studying in Nikkei schools, and participating in events, I often didn’t feel as connected as others. This is something I’ve heard a few other people my age say they have experienced, since the further we get from the initial immigration generation, the more some traditions get lost. However, now I’ve realized that I connect to my identity in different ways. The shared experiences I have with others from my generation might not be similar to the ones our parents or grandparents had, but we still have a lot in common and that makes us feel connected. I also feel connected with my identity by learning more about other people’s life stories, because they often make me realize I’m not the only one with some experiences.
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