Discover Nikkei

https://www.discovernikkei.org/en/journal/series/janm-magazine/

Japanese American National Museum Magazine


13 Apr 2007 - 19 Jan 2015

These articles were originally published in the print member's magazine of the Japanese American National Museum.



Stories from this series

America’s Strawberry: Fruit of Our Labor

Oct. 3, 2007 • Vernon Takeshita

Think of a bright red, plump strawberry, its juicy sweetness dancing on your tongue, filling up your senses. Now think of having to do without the delicious treat. Indeed, there were times in the history of the California strawberry industry when the whole enterprise seemed ready to collapse. The fact that the industry thrives today is a testament to the hard work of its practitioners, a group which includes many Japanese Americans. Strawberries have been farmed in the United States …

Letters of Conscience

Aug. 2, 2007 • John Saito, Jr.

I’m missing my good American friends very much. I wish this horrible war would stop right now so I could go back to my home farm and see the old Palos Verdes again.—excerpt of a letter to teacher Afton Dill Nance, date September 13, 1943, from Amache, Colorado She wrote them telegrams, mailed letters of encouragement, and sent care packages that included books, checker sets, a fingernail clipper, cookies, fresh cherries, and ripe peaches. On one student’s birthday, she sent …

From Obon to Kumi Daiko: Big Drum in Hawai`i

July 28, 2007 • Sojin Kim

The steady beat of a taiko has long provided the accompaniment for Bon-odori celebrations in Hawai`i. The taiko tradition has been passed along from generation to generation and from one family member to another. Third-generation taiko player Kay (Watanabe) Fukumoto, who learned Obon taiko from her grandfather Tomio and her father, Albert Watanabe—former Keahua plantation musician—recalls: “Ever since I can remember, my mom would take me to my dad’s taiko practices during Obon season. My sister and I would just …

Reflections of a Gardener's Son

July 4, 2007 • Yosh Kuromiya

My Dad was working as a gardener when I was born. Then, when I was in first grade, he dropped his gardening work to establish a fruit-stand business, which was just starting to do well when Pearl Harbor was attacked. We lost everything when they sent us to Heart Mountain. After the war he went back into gardening because it was cheaper to buy a lawn mower and pick up a few jobs than to invest in another business. I …

Japanese American Gardeners: Their Stories and Their Landscapes

June 28, 2007 • Susan Chen

Few Japanese art forms have enjoyed as much popularity in the United States as the Japanese-style garden. First introduced to this country at the 1876 Philadelphia Centennial Exposition, these gardens immediately captured the imagination of the American public. Displays of Japanese-style gardens and pavilions soon became a fixture at virtually all expositions and World’s Fairs, and they also proliferated in public parks, school grounds, business properties, and private estates of the wealthy. By 1920, many of today’s popular gardens had …

Strength in Beauty: Ruth Asawa

May 24, 2007 • Japanese American National Museum

"I can see glimpses of my childhood in my work. The seemingly endless patterns we made in the dust, the shapes of the flowers and the vegetation, the translucence of a dragonfly’s wing when sunlight pours through it—these things have influenced my work.” - Ruth Asawa, 2001 Strength in Beauty For Nisei artist Ruth Asawa, her work reflects the richness of everyday life and the beauty of ordinary things. Her intricately crocheted wire sculptures, lithographs, and drawings, speak of the …

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Authors in This Series

Eiichiro Azuma is the Alan Charles Kors Term Chair Associate Professor of History and Asian American Studies at University of Pennsylvania. He is author of Between Two Empires: Race, History, and Transnationalism in Japanese America (Oxford University Press, 2005) and co-editor of Yuji Ichioka, Before Internment: Essays in Prewar Japanese American History (Stanford University Press, 2006). Professor Azuma is also currently at work with David Yoo in the editing of the Oxford Handbook of Asian American History. Between 1992 and 2000, he worked as a Curator/Researcher at the Japanese American National Museum and has an MA in Asian American studies and a PhD in history from UCLA.

Updated July 2013


Susan Chen is an Ethnic Studies Ph.D. Candidate at the University of California, San Diego. Her research interests include Asian American history, postwar US history, cultural studies, and modern urban history. She is especially fascinated with studies of Asian Americans in contemporary media and popular culture. From 2003 to 2007, Chen worked at the Japanese American National Museum as curatorial assistant and then as museum manager.

Updated February 2015


Karin Higa was a curator and specialist in Asian American art and was the Senior Curator of Art at the Japanese American National Museum, organizing a number of exhibitions including George Nakashima: Nature, Form & Spirit, Sights Unseen: The Photographic Constructions of Masumi Hayashi, Living in Color: The Art of Hideo Date, Bruce and Norman Yonemoto: Memory, Matter and Modern Romance, and The View from Within: Japanese American Art from the Internment Camps, 1942-1945. She held degrees from Columbia University and UCLA, taught at Mills College, UC Irvine, and Otis College of Art and Design, and lectured extensively on Asian American and contemporary art. 

Updated July 2018


Naomi Hirahara is the author of the Edgar Award-winning Mas Arai mystery series, which features a Kibei Nisei gardener and atomic-bomb survivor who solves crimes, Officer Ellie Rush series, and now the new Leilani Santiago mysteries. A former editor of The Rafu Shimpo, she has written a number of nonfiction books on the Japanese American experience and several 12-part serials for Discover Nikkei.

Updated October 2019


Established in 1985, Japanese American National Museum (JANM) promotes understanding and appreciation of America’s ethnic and cultural diversity by sharing the Japanese American experience. Located in the historic Little Tokyo district of downtown Los Angeles, JANM provides a voice for Japanese Americans and a forum that enables all people to explore their own heritage and culture. Since opening to the public in 1992, JANM has presented over 70 exhibitions onsite while traveling 17 exhibits to leading cultural museums in the US, Japan, and South America. For more information, visit janm.org or follow us on social media @jamuseum.

Updated March 2023


Barbara Kawakami was born in 1921 in Okkogamura, Kumamoto, Japan, in a feudal farmhouse that had been her family’s home for more than 350 years. She was raised on the Oahu Sugar Plantation in Oahu, Hawai’i, and worked as a dressmaker and homemaker before earning her high school diploma, Bachelor of Science in Textile & Clothing, and Master of Arts in Asian Studies—after the age of 50. Her knowledge of the Japanese language, having grown up on the plantation, and her extensive background as a noted dressmaker, helped many Issei women feel comfortable about sharing the untold stories of their lives as picture brides.  From her extensive research, she published the first book on the topic, Japanese Immigrant Clothing in Hawai‘i 1885-1941 (University of Hawai‘i Press, 1993). Barbara continues to travel to Japan as well as throughout the United States to give lectures regarding plantation life and clothing. She is widely recognized as the foremost authority on Japanese immigrant clothing and has served as a consultant to Hawaii Public Television, Waipahu Cultural Garden Park, Bishop Museum, the Japanese American National Museum, and to the movie production of Picture Bride.


Sojin Kim is curator and special assistant to the director at the Smithsonian's Center for Folklife and Cultural Heritage. From 1998 to 2008, she was curator at the Japanese American National Museum, where she continues to help out as a volunteer.

Updated May 2011


Yosh Kuromiya was born in Sierra Madre, California, in 1923. He was attending Pasadena Junior College when WWII broke out with the bombing of Pearl Harbor. He and his family were incarcerated at the Pomona Assembly Center in Los Angeles County, California and later shipped to Heart Mountain, Wyoming concentration camp. He passed away on July 2018 at age 95. (Photo courtesy of Irene Kuromiya)

Updated July 2018


Mitchell T. Maki is president and CEO of Go For Broke National Education Center. He is the lead author of the award-winning book Achieving the Impossible Dream: How Japanese Americans Obtained Redress (University of Illinois Press).

Updated December 2016


Brian Niiya is a public historian specializing in Japanese American history. Currently the content director for Densho and editor of the online Densho Encyclopedia, he has also held various positions with the UCLA Asian American Studies Center, the Japanese American National Museum, and the Japanese Cultural Center of Hawai'i that have involved managing collections, curating exhibitions, and developing public programs, and producing videos, books, and websites. His writings have been published in a wide range of academic, popular, and web-based publications, and he is frequently asked to give presentations or interviews on the forced removal and incarceration of Japanese Americans during World War II. A "Spoiled Sansei" born and raised in Los Angeles to Nisei parents from Hawai'i, he lived in Hawai'i for over twenty years before returning to Los Angeles in 2017 where he is currently based.

Updated May 2020


John Saito, Jr. is the former editor of the English Section of the Rafu Shimpo .

Updated Winter 2001



Sharon Yamato is a writer and filmmaker in Los Angeles who has produced and directed several films on the Japanese American incarceration, including Out of Infamy, A Flicker in Eternity, and Moving Walls, for which she wrote a book by the same title. She served as creative consultant on A Life in Pieces, an award-winning virtual reality project, and is currently working on a documentary on attorney and civil rights leader Wayne M. Collins. As a writer, she co-wrote Jive Bomber: A Sentimental Journey, a memoir of Japanese American National Museum founder Bruce T. Kaji, has written articles for the Los Angeles Times, and is currently a columnist for The Rafu Shimpo. She has served as a consultant for the Japanese American National Museum, Go For Broke National Education Center, and has conducted oral history interviews for Densho in Seattle. She graduated from UCLA with bachelor’s and master’s degrees in English.

Updated March 2023