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Read Part 17 >>Post-scriptMy exploration of the Mananzar photographs of Adams, Lange, and Miyatake, along with my readings of the historical, memoir, and fictional accounts …
Read Part 16 >>Miyatake and AdamsPhotography also provided Miyatake an introduction to Adams at Manzanar. Introduced by Merritt in 1943, their shared passion for photography …
Read Part 15 >>The Post-War Years: Coming to Terms with ManzanarOf course once freed from the concentration camps, the Japanese did congregate in clusters, many …
Read Part 14 >>In Moving Images: Photography and the Japanese American Incarceration (University of Illinois Press, 2009), Jasmine Alinder described how the U.S. military and …
Read Part 13 >>Back to Japan, 1933-1936When Miyatake’s father fell ill in Japan in 1933, Toyo was selected to represent the family and returned to …
Read Part 12 >>While Lange and Adams photographed Manzanar from the outside, Toyo Miyatake was the ultimate insider. Imprisoned at Manzanar almost from its opening …
Read Part 11 >>“Everything Is Propaganda”Lange’s outlook on life informed the pictures she took at Manzanar. Where Adams saw the rugged natural setting as spirit-lifting …
Read Part 10 >> Part Two: Dorothea Lange When Lange arrived at Manzanar in 1942 to take photos for the WRA, she was already famous …
Read Part 9 >> It was not until I looked at an online version of the 1944 Born Free and Equal (http://memory.loc.gov/ammem/collections/anseladams/ ) that I felt …
Read Part 8 >> Walking a Fine Line In Born Free and Equal, Adams struggled to walk a fine line between advocating for the imprisoned …
ansel adams manzanar photography concentration camp toyo miyatake WWII World War II concentration camps Citizen 13660 farewell to manzanar Jeanne Wakatsuki Houston michi weglyn Mine Okubo photographer Years of Infamy
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