Discover Nikkei

https://www.discovernikkei.org/en/journal/2023/5/18/nikkei-uncovered-78/

Surrender — Part 3

This month we present the final part of the collaborative poem + performative art piece from Bonbu Stories, this time featuring Yonsei musician Miko Shudo. We invite you to view the accompanying video and read this together with the preceding pieces from parts 1 & 2. Miko blends poetics here with reflections on a journey of challenge, pride and privilege, acceptance and self determination…enjoy.

—traci kato-kiriyama

* * * * *

Miko Shudo is a Yonsei musician, born and raised in Thousand Oaks, CA. Miko found her love for music when her mom placed her in front of the TV at the age of 3 to watch a performance of the Three Tenors accompanied by a symphony orchestra. She is passionate about community, mental health, mindfulness, and has recently taken a love for songwriting and social dancing. Miko has performed for various Japanese American organizations and events, such as JACL San Diego, Grateful Crane Ensemble, Azuma Kotobuki Kai, JANM, Buddhist Churches of America, Cherry Blossom Festival, and the Tanabata Festival.

 

How I Want To Be

I remember complaining as a kid
I didn’t want to be the “quiet,” “polite,” and “ladylike” girl
my mom
wanted me to be.
I proudly expressed my desire
to go off the beaten path and be “me.”
This to my mom, wasn’t very Japanese…

I laugh too loud,
and she gives me “the look.”

I get upset by something that hurt me, and that makes me too sensitive…
“Don’t let it bother you.”

I talk or dress too boyishly…
“That’s not how girls should act.”

I love being Japanese American. However I had a difficult time accepting
the way my family wanted me to be Japanese, in certain ways.

And I’ve learned that my way of thinking comes from a place of privilege.
A place where I have more choice in how to act vs not to act.
My survival and acceptance don’t depend

on me blending in, dropping my culture, or assimilating to any specific group…
At least not to the degree that it mattered for my ancestors.
Being able to focus on more than just my survival,
I acknowledge the freedom given to me,
to choose how I want to be.

*This poem was first read at the 53rd Annial Manzanar Pilgrimage in 2022 and is coyrighted by Miko Shudo.

 

*Bonbu Stories is an Asian American arts collaborative created in 2019. Miharu Okamura, Sydney Shiroyama, Miko Shudo, Kendall Tani, Emily Imazumi, and Vicky Zhang formed Bonbu Stories under the mentorship of PJ Hirabayashi (TaikoPeace), and Dan and Chris Kubo. Bonbu is a Buddhist term meaning “ordinary/imperfect/unenlightened being.” This term carries with it a sense of compassion and acceptance for human life and our flaws, mistakes, and, ultimately, potential for growth. Bonbu Stories centers its work and creative process around this definition, believing in the power and value of vulnerability, authenticity, and interconnectedness.

 

© 2022 Miko Shudo

Bonbu Stories (organization) literature Miko Shudo poetry
About this series

Nikkei Uncovered: a poetry column is a space for the Nikkei community to share stories through diverse writings on culture, history, and personal experience. The column will feature a wide variety of poetic form and subject matter with themes that include history, roots, identity; history—past into the present; food as ritual, celebration, and legacy; ritual and assumptions of tradition; place, location, and community; and love.

We’ve invited author, performer, and poet traci kato-kiriyama to curate this monthly poetry column, where we will publish one to two poets on the third Thursday of each month—from senior or young writers new to poetry, to published authors from around the country. We hope to uncover a web of voices linked through myriad differences and connected experience.

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About the Authors

Miko Shudo is a Yonsei musician, born and raised in Thousand Oaks, CA. Miko found her love for music when her mom placed her in front of the TV at the age of 3 to watch a performance of the Three Tenors accompanied by a symphony orchestra. She is passionate about community, mental health, mindfulness, and has recently taken a love for songwriting and social dancing. Miko has performed for various Japanese American organizations and events, such as JACL San Diego, Grateful Crane Ensemble, Azuma Kotobuki Kai, JANM, Buddhist Churches of America, Cherry Blossom Festival, and the Tanabata Festival.

Updated May 2023


traci kato-kiriyama is a performer, actor, writer, author, educator, and art+community organizer who splits the time and space in her body feeling grounded in gratitude, inspired by audacity, and thoroughly insane—oft times all at once. She’s passionately invested in a number of projects that include Pull Project (PULL: Tales of Obsession); Generations Of War; The (title-ever-evolving) Nikkei Network for Gender and Sexual Positivity; Kizuna; Budokan of LA; and is the Director/Co-Founder of Tuesday Night Project and Co-Curator of its flagship “Tuesday Night Cafe.” She’s working on a second book of writing/poetry attuned to survival, slated for publication next year by Writ Large Press.

Updated August 2013

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