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The reason he came to the United States (Japanese)

(Japanese) I was looking to go overseas, like America or some place. One day, I read in the newspaper that Sukeroku daiko performed in Brazil and set up a branch in America afterwards. That news got me all excited. I thought, “Hey, there might be a chance to play taiko in America.“ At that time, there was a song Under the Blue California Sky that swept the country. I thought, “Boy, how cool is that to play the Japanese taiko under that California sky.“ So I came over here in 1973 and stayed ever since.


California drum immigration migration taiko United States

Date: April 1, 2005

Location: California, US

Interviewer: Ann Kaneko

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Etsuo Hongo, a shin-issei, was born and raised in Tokyo, Japan. He began his taiko training there, and was exposed to the idea of taiko in the United States when he read a 1968 Japanese newspaper article about San Francisco Taiko Dojo. Almost immediately after he came to the United States in 1973, he searched out a place to play taiko. He attended the Long Beach Buddhist Temple obon, where he was given his first opportunity to play taiko in this country. Shortly thereafter, he traveled to South America, where he spent the subsequent year visiting various Nikkei communities and continuing to play taiko in local festivals.

After his travels in South America, Mr. Hongo decided to return to the United States where he started his gardening business. In 1977, he established Los Angeles Matsuri Taiko. He now has five groups—totaling some 100 students. The other four groups are L.A. Mugen Taiko (est. 1988), Venice Koshin Taiko (est. 1992), L.A. Taiko Okida Gumi (est. 1996), and El Marino Rainbow Taiko, an elementary school program for 2nd through 5th graders. He passed away on October 28, 2019 at age 70. (June 2021)

Mónica Kogiso
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History of her family's immigration (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

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Vince Ota
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Moving to and living in Japan

Japanese American Creative designer living in Japan

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Vince Ota
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The reason to stay in Japan after his third year

Japanese American Creative designer living in Japan

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Roberto Hirose
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From the "middle" Nikkei (Spanish)

(b. 1950) Nisei Chilean, Businessman

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Roberto Hirose
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Growing up with some Japanese families (Spanish)

(b. 1950) Nisei Chilean, Businessman

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Roberto Hirose
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The various realities of Nikkei in Latin America (Spanish)

(b. 1950) Nisei Chilean, Businessman

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John Naka
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Avoiding the Japanese military

(1914-2004) Nisei Bonsai master in the United States

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Johnny Mori
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Starting Japanese American taiko their own way

(b. 1949) Musician and arts educator and adminstrator.

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Johnny Mori
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Japanese American taiko is not Japanese taiko

(b. 1949) Musician and arts educator and adminstrator.

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Johnny Mori
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Women playing taiko

(b. 1949) Musician and arts educator and adminstrator.

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Johnny Mori
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Parents didn't accept me playing taiko in the beginning

(b. 1949) Musician and arts educator and adminstrator.

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Johnny Mori
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Performing the koto and taiko drum together, in Japan

(b. 1949) Musician and arts educator and adminstrator.

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Johnny Mori
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Taiko considered "Jazz" in the Philippines

(b. 1949) Musician and arts educator and adminstrator.

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Michie Akama
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Reasons for immigrating to Brazil (Japanese)

Issei, Pioneer of women's education in Brazil

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Paula Hoyos Hattori
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The arrival of her grandpa (Spanish)

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