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Picture brides and karifufu

Oh, there’s a funny story. Talk about picture brides and how at that time, many came as karifufu, which is “temporary spouse.” And, my mother, because she was sent back to Japan by her parents, and after she met my father, she wanted to come back to Hawaii to marry him. So, I understand that she came as a couple—she borrowed her younger sister’s fiancé—to come to Hawaii to marry my father. And that’s the karifufu. You see my book. It’s very interesting. They come as a temporary spouse with whoever they want to. And then, of course, they have to share the same cabin, too, you know. But, when they come here, they just separate and go their own way. They apply for divorce.

And for men, it was the stepping stone to go to California because once they step foot on Hawaii, it was easier to go to California. So, for them, it was nothing. And I think, like many, Mrs. Tanimoto also came as a karifufu. And she told me she couldn’t even remember the temporary husband’s name because as soon as they came here, they separated. He went on to the mainland, and she married the Mr. Tanimoto later. So, there were so many divorces. And someone, after seeing my picture bride thing, had written about the divorce rates being higher during that period. But, actually, it’s not a true kind of divorce.


brides immigration migration picture brides wives

Date: Feb 19, 2004

Location: Hawai'i, US

Interviewer: Lisa Itagaki, Krissy Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Barbara Kawakami was born in 1921 in Okkogamura, Kumamoto, Japan, in a feudal farmhouse that had been her family’s home for more than 350 years. She was raised on the Oahu Sugar Plantation in Oahu, Hawai’i, and worked as a dressmaker and homemaker before earning her high school diploma, Bachelor of Science in Textile & Clothing, and Master of Arts in Asian Studies—after the age of 50.

In her senior year, she began to research the clothing that immigrants wore on the plantation for a term paper. Finding there was relatively little academic research in this area, Barbara embarked on a project to document and collect original plantation clothing as well as the stories behind the ingenuity of the makers. Over the course of fifteen years, Barbara recorded more than 250 interviews with aging Issei women and men and their Nisei children. She captured their lives, the struggles of immigration, and conditions working and living on the plantation. Importantly, she documented the stories behind the ingenuity of these Issei women as they slowly adapted their traditions to suit the needs of plantation life. Her knowledge of the Japanese language, having grown up on the plantation, and her extensive background as a noted dressmaker, helped many Issei women feel comfortable about sharing the untold stories of their lives as picture brides. From her extensive research, she published the first book on the topic, Japanese Immigrant Clothing in Hawai‘i 1885-1941 (University of Hawai‘i Press, 1993).

A noted storyteller, author, and historian, Barbara continues to travel to Japan as well as throughout the United States to give lectures regarding plantation life and clothing. She is widely recognized as the foremost authority on Japanese immigrant clothing and has served as a consultant to Hawaii Public Television, Waipahu Cultural Garden Park, Bishop Museum, the Japanese American National Museum, and to the movie production of Picture Bride. (February 19, 2004)

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Akira Takashio

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Akira Takashio

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Akira Takashio

Support from Nikkei (Japanese)

Shin Issei – owner of izakaya (Japanese-style tavern) and kappo (small Japanese diner) restaurant, Honda-Ya

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Akira Takashio
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Akira Takashio

First impression of America (Japanese)

Shin Issei – owner of izakaya (Japanese-style tavern) and kappo (small Japanese diner) restaurant, Honda-Ya

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Akira Takashio
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Akira Takashio

Longing for a life abroad and getting a chef’s license (Japanese)

Shin Issei – owner of izakaya (Japanese-style tavern) and kappo (small Japanese diner) restaurant, Honda-Ya

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Hachiro Ohtomo
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Hachiro Ohtomo

My daughter couldn’t fit in Japan, so I decided to go back to America (Japanese)

(b. 1936) Shin-issei welding business owner

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Hachiro Ohtomo
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Hachiro Ohtomo

Facing discrimination in America (Japanese)

(b. 1936) Shin-issei welding business owner

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Terumi Hisamatsu Calloway
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Terumi Hisamatsu Calloway

Missing Home (Japanese)

(b. 1937) A war bride from Yokohama

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Terumi Hisamatsu Calloway
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Terumi Hisamatsu Calloway

Four sisters had international marriages (Japanese)

(b. 1937) A war bride from Yokohama

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Isao Taoka
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Isao Taoka

Carrying on the Legacy in the Colony of Paraguay (Japanese)

(b. 1943) Paraguayan Ambassador to Japan

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Hiroshi Sakane
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Hiroshi Sakane

On returning to post-war Peru (Japanese)

(b. 1948) Executive Director of Amano Museum

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Yukio Takeshita
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Yukio Takeshita

Impression of Japan upon arrival

(b.1935) American born Japanese. Retired businessman.

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Luis Yamada
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Luis Yamada

A lucky man (Spanish)

(b. 1929) Nisei Argentinean

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