Representing her Family and the Japanese American Community in Acting

Keeping Japanese Performance Arts Alive in the Camps Passing Time in the Camps with Baton Twirling Takayo Fischer’s Love of Acting Started with Shibai Facing Prejudice as a Japanese American Teenager in Chicago after the War Takayo Fischer on Her First Time Expressing Outward Affection to Her Parents Being Confused about Racial Identity in Postwar United States Shock of Her Granddaughter Not Knowing Her Japanese Heritage On the Difference between Being a Role and Playing a Role Working on the Set of Pirates of the Caribbean and Meeting Keith Richards The Emotional Toll of Being Incarcerated in Camp during World War II Representing her Family and the Japanese American Community in Acting Sister’s Trauma from being Incarcerated during World War II Her Approach to Preparing for Roles Getting the Role of Gwennie in The World of Suzie Wong

Transcripts available in the following languages:

I don’t know that I felt like everyone else. I felt like I was – I had to behave, I was setting an example – everything I did reflected not only on my mother and father or my sisters, but on all the Japanese-American community. So I had to behave and be good, because otherwise I would bring shame to the community. I felt like I was very much a part of that Issei/Nisei community right after the war. Maybe that was good for me, kept me out of trouble.

Date: November 8, 2018
Location: California, US
Interviewer: June Berk
Contributed by: Watase Media Arts Center, Japanese American National Museum

acting actor community identity