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https://www.discovernikkei.org/en/interviews/clips/1277/

Gidra's Editorial Process

We didn’t have an explicit editorial policy, but we wanted to reflect the ideas, feelings, aspirations of the young people who were involved in our movement at the time. We didn’t see ourselves as the chronicler or reporting on news per say, so in that sense when you go through the pages of Gidra, you would not necessarily be able to build a history of what happened during that time off of the pages. I think a lot of it had to do with uhh, expressions in poetry, expression in drawings, photography... And other creative avenues. And even in the writings and I think in the prose, like people had great latitude in terms of what they could write and talk about. The idea was to, to really have a vehicle where people could voice themselves.


identity

Date: September 29, 2011

Location: California, US

Interviewer: Kris Kuromitsu, John Esaki

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Mike Murase--attorney, activist, administrator, writer and photographer--has been involved in human services, social change, education, government and politics for over 40 years. As an undergraduate at University of California at Los Angeles (UCLA), he was a co-founder of the Asian American Studies Center and later taught ethnic studies at UCLA, University of Southern California and California State University at Long Beach.

Mike’s roots in the Asian American communities are deep. He was a part of the core group who founded Little Tokyo Service Center (LTSC), a social service and community economic development agency serving Little Tokyo and greater Japanese American community throughout Los Angeles. Mike served as the board president for first 5 years. He also advocated for members of Japanese Welfare Rights Organization, Little Tokyo People’s Rights Organization and National Coalition for Redress & Reparations (NCRR), and authored Little Tokyo: One Hundred Year History.

In 2006, Mike returned to LTSC to join its management team and currently is Director of Service Programs. (August 2012)

Masakatsu Jaime Ashimine Oshiro
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Masakatsu Jaime Ashimine Oshiro

Being Nikkei: A Double Responsibility (Spanish)

(1958-2014) Former Bolivian Ambassador to Japan

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Masakatsu Jaime Ashimine Oshiro
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Masakatsu Jaime Ashimine Oshiro

The Impact of Technology in Japan (Spanish)

(1958-2014) Former Bolivian Ambassador to Japan

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

"Harebutai" (Japanese)

(b. 1981) Enka Singer

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Yoshiko Inose
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Yoshiko Inose

The Secret to Youth (Japanese)

(b.1908) Daugther of the first publisher of the Rafu Shimpo

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Margaret Kuroiwa
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Margaret Kuroiwa

Beach & America

Daughter of an Issei doctor.

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Interest in Japan stemmed from his mother and grandmother’s stories

(b. 1981) Enka Singer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Embraces his Japanese heritage

(b. 1981) Enka Singer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Dreamed of becoming an Enka singer

(b. 1981) Enka Singer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

His clothes are part of his identity

(b. 1981) Enka Singer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Hopes everyone pursues their dreams regardless of race or heritage

(b. 1981) Enka Singer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Considers Pittsburg his home, but always wanted to live in Japan

(b. 1981) Enka Singer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

Singing the way I sing (Japanese)

(b. 1981) Enka Singer

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Jero (Jerome Charles White Jr.)
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Jero (Jerome Charles White Jr.)

The first concert in the United States (Japanese)

(b. 1981) Enka Singer

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Robert A. Nakamura
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Robert A. Nakamura

Creating Culture

(b. 1936) Filmmaker

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Stan Sakai
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Stan Sakai

Cultural influences

(b. 1953) Cartoonist

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