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https://www.discovernikkei.org/en/interviews/clips/1264/

Formula for Freedom

There’s a lot of things going on at that time, and so I wanted to put it in context, ‘cause if you look at V.C [Visual Communications] by itself, you say “oh these guys really did some different things,” but if you look at it within a context of the early 60s, late 60s, early 70s, you see the whole, it was a whole movement, cultural change movement along with the political parts....If you came through the ‘50s and into the ‘60s, you picked up a lot of baggage, negative baggage, about who we are, who are Asian Americans, who are quote orientals. So I think that’s the unique part of the beginning of V.C.…

I think what was different about V.C…First off, is that we were not in film school, we were not learning media to, as art, as self expression, as experimenting with visual forms. That was not our, where we began with. We really began with the idea of recapturing our past and presenting our past.

And I think, this is very important, our audience was really our own communities…It wasn’t about art, it wasn’t about self expression, it wasn’t even about breaking stereotypes to the majority society. We wanted to break stereotypes to ourselves.


Asian American movement communities identity Visual Communications (organization)

Date: Aug 16, 2011

Location: California, US

Interviewer: Alexa Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Born on July 5, 1936, in Venice, California, to an Issei father and Nisei mother, Robert Akira Nakamura left a successful career in photojournalism and advertising photography to become one of the first to explore, interpret and present the experiences of Japanese Americans in film. His ground-breaking personal documentary, Manzanar (1972), has been selected for major retrospectives on the documentary form at the San Francisco Museum of Art and the Film Forum, Museum of Contemporary Art in Los Angeles.

A graduate of Art Center College of Design (BFA, 1966) and the UCLA Department of Motion Picture & Television Production (MFA, 1975), where he recently retired as a Professor, Nakamura has garnered over 25 national awards for his innovative and evocative films, including Wataridori: Birds of Passage (1975); Hito Hata: Raise the Banner (1980), Moving Memories (1992), Something Strong Within (1994), and Looking Like the Enemy (1995).

In 1970, Nakamura founded Visual Communications where he continues to serve as a member of the Board of Directors. He also founded the UCLA Center for Ethnocommunications in 1996, and the Media Arts Center of the Japanese American National Museum in 1997.

Nakamura was the first recipient of the annual Steve Tatsukawa Memorial Award in 1985 for outstanding achievement and leadership in Asian American media, and, in 1994, the Asian Pacific American Coalition in Cinema, Theatre & Television of UCLA, instituted the “Robert A. Nakamura Award” in his honor to recognize outstanding contributions of other Asian Pacific American visual artists. In 1997, the Smithsonian Institute presented a retrospective of his work and in 1999 he was named to the Endowed Chair in Japanese American Studies at UCLA. (August 2012)

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George Ariyoshi

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James Hirabayashi
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James Hirabayashi

Christian gatherings in homes

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James Hirabayashi
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James Hirabayashi

Nickname

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James Hirabayashi
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James Hirabayashi

Not bringing shame to family

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James Hirabayashi
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James Hirabayashi

Context affects meaning

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James Hirabayashi
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James Hirabayashi

Role of the Japanese American National Museum

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James Hirabayashi
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James Hirabayashi

Testing assumptions of Japanese scholars

(1926 - 2012) Scholar and professor of anthropology. Leader in the establishment of ethnic studies as an academic discipline

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Steve Kaji
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Steve Kaji

FOB's

Hawaii born Nikkei living in Japan. English Teacher at YMCA.

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Eric Morton
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Eric Morton

Addressing multiracial identity can be difficult

Starred at wide receiver for Dartmouth College, now a patent attorney. Brother of Johnnie and Chad Morton.

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Ann K. Nakamura
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Ann K. Nakamura

Image of Americans

Sansei from Hawaii living in Japan. Teacher and businesswoman.

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Robert (Bob) Kiyoshi Okasaki
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Robert (Bob) Kiyoshi Okasaki

Grandmother's influence on decision to go to Japan

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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Robert (Bob) Kiyoshi Okasaki
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Robert (Bob) Kiyoshi Okasaki

Band-Aid realization

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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Robert (Bob) Kiyoshi Okasaki
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Robert (Bob) Kiyoshi Okasaki

Japanese influence growing up

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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Robert (Bob) Kiyoshi Okasaki
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Robert (Bob) Kiyoshi Okasaki

Looking at your country from the outside

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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Robert (Bob) Kiyoshi Okasaki
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Robert (Bob) Kiyoshi Okasaki

Wife's family in Japan

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

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