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https://www.discovernikkei.org/en/interviews/clips/947/

Introduction to Jazz

And that was that, but about that time, been hearing music over the radio. I'd hear, once in a while Benny Goodman, and it was kind of new. But it's kind of so, sounded so neat to me, and it turned out to be -- turned out to be someone who played swing music. I don't know about the word "jazz," but it was, and especially I heard something, a quartet by Benny Goodman with Lionel Hampton on the vibes, Teddy Wilson on piano, Gene Krupa. That really moved me like, hey, this is neat. Isn't this neat?

It just moved me so much that I went to the music store and bought some wire brushes that, brushes used to play on the snare drum, and just found me a little box. And I'd just play on it with Benny Goodman. That was so cool. [Laughs] And I'd play up loud, right, and Mom would say, "Hey, cut it out, Joji. Yakamashii." So noisy. "Okay, Mom, okay, Mom." And I really enjoyed that. That was my introduction to jazz again, and that really started something that lasted the rest of my life until today.


families jazz music

Date: February 18, 2002

Location: Washington, US

Interviewer: Alice Ito, John Pai

Contributed by: Denshō: The Japanese American Legacy Project.

Interviewee Bio

George Yoshida was born in 1922 in Seattle, WA. Prior to World War II, his family moved to East Los Angeles, CA in 1936. Yoshida was incarcerated in Poston, AZ during the war. Yoshida grew up around the Big Band sound and Swing music and while in camp formed a dance band called the “Music Makers” for which he played the drums. Through music, the internees tried their best to keep life as a normal as possible and forget that they were surrounded by barbed wire. In 1943, Yoshida was drafted into the U.S. Army. He married in 1945 and moved to Berkeley, CA where he taught at Washington Elementary School for the next 35 years.

After retiring from teaching in 1987, Yoshida’s started the J-Town Jazz Ensemble, a swing band of Nisei and Sansei musicians. He still plays the drums, but this time, Yoshida uses music to remember the history of Japanese Americans during a period of great hardship. Yoshida is also the author of a book, Reminiscing in Swingtime 1925-1960: Japanese Americans in American Popular Music. (April 15, 2008)

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