Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/445/

Dedicated to the frontier spirits

I’m not exactly thinking we are representing San Francisco. And Sokobayashi dedicated to Issei, Nisei people. But this is not only for Japanese Issei and Nisei. This is an immigrant country—come from all over. So we have integrated student—German, Russian, Israel, Philippine, Korea, China, South America. So the Sokobayashi is the frontier spirit—dedicated to the frontier spirits, not only Japanese Issei, Nisei. To me, Japanese Issei and Nisei. But to my Filipino student, their frontier spirit dedicated to. So not exactly are…we are representing San Francisco, San Franciscan. But when I go to different country, listen to “I left my heart in San Francisco” That really feels good. Then I feel, “Oh, I’m a San Franciscan.” But usually they defined I’m not thinking I’m a San Franciscan.


California drum San Francisco San Francisco Taiko Dojo taiko United States

Date: January 27, 2005

Location: California, US

Interviewer: Art Hansen, Sojin Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Grand Master Seiichi Tanaka, a shin-issei, was born in Tokyo, Japan in 1943. After graduating from Chiba University of Commerce, he moved to the United States in 1967. He worked as a farm laborer, picking strawberries in Watsonville, before moving to San Francisco. In 1968, he attended the San Francisco Japantown Cherry Blossom Festival. He was struck by the absence of taiko drumming—something he associated with the festivals of his youth in Japan. Inspired to action, he borrowed taiko from the local Buddhist Temple and gathered together some friends to perform at the 1968 Aki (Autumn) Matsuri in Japantown. He returned to Japan many times in the years following to study taiko so that he could pass on his knowledge to others.Tanaka Sensei built upon the taiko renaissance that had begun in Japan in the 1950s and established San Francisco Taiko Dojo, the first taiko dojo (school) in North America, in 1968. Since then, he has trained thousands of students.

Today there are more than 200 taiko groups in the United States and Canada, many of which trace their roots back to Grand Master Tanaka and his San Francisco Taiko Dojo. Tanaka continues to teach fundamental taiko rhythm patterns and movements that are based on the martial arts. Although his taiko style originates in the Japanese festival tradition, he has been influenced by his American experiences and blends traditional taiko rhythms with jazz, Latin, and other rhythms.

Tanaka Sensei has received Japan's Foreign Ministers Commendation and the National Endowment for the Arts' National Heritage Fellows Award in recognition of his work promoting the art of taiko. (January 27, 2005)

Hirabayashi,James

Involvement with theater

(1926 - 2012) Scholar and professor of anthropology. Leader in the establishment of ethnic studies as an academic discipline

Akiyama,Nosuke

Rediscovery of Japanese culture through taiko (Japanese)

Shishimai (Lion dance) and Taiko player with San Francisco Taiko Dojo.

Hongo,Etsuo

The reason he came to the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

Hongo,Etsuo

First taiko performance in the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

Hongo,Etsuo

Differences in taiko style (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

Hongo,Etsuo

Originality of each taiko group (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

Hongo,Etsuo

Benefits of living in the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

Hongo,Etsuo

Promoting group identity through taiko contests (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

Hongo,Etsuo

Taiko's sounds as Japanese cultural tradition (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

Endo,Kenny

Differences between Kinnara and San Francisco Taiko Dojo

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

Endo,Kenny

Being free of the tradition

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

Endo,Kenny

Collaborating with non-taiko groups

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

Kodani,Mas

Changing the taiko rhythm from Japanese to Afro-Cuban

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

Kodani,Mas

Friction between Sensei and Kinnara in defining taiko

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

Kodani,Mas

American influences on Japanese taiko

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.