Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/356/

The reason he came to the United States (Japanese)

(Japanese) I was looking to go overseas, like America or some place. One day, I read in the newspaper that Sukeroku daiko performed in Brazil and set up a branch in America afterwards. That news got me all excited. I thought, “Hey, there might be a chance to play taiko in America.“ At that time, there was a song Under the Blue California Sky that swept the country. I thought, “Boy, how cool is that to play the Japanese taiko under that California sky.“ So I came over here in 1973 and stayed ever since.


California drum immigration migration taiko United States

Date: April 1, 2005

Location: California, US

Interviewer: Ann Kaneko

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Etsuo Hongo, a shin-issei, was born and raised in Tokyo, Japan. He began his taiko training there, and was exposed to the idea of taiko in the United States when he read a 1968 Japanese newspaper article about San Francisco Taiko Dojo. Almost immediately after he came to the United States in 1973, he searched out a place to play taiko. He attended the Long Beach Buddhist Temple obon, where he was given his first opportunity to play taiko in this country. Shortly thereafter, he traveled to South America, where he spent the subsequent year visiting various Nikkei communities and continuing to play taiko in local festivals.

After his travels in South America, Mr. Hongo decided to return to the United States where he started his gardening business. In 1977, he established Los Angeles Matsuri Taiko. He now has five groups—totaling some 100 students. The other four groups are L.A. Mugen Taiko (est. 1988), Venice Koshin Taiko (est. 1992), L.A. Taiko Okida Gumi (est. 1996), and El Marino Rainbow Taiko, an elementary school program for 2nd through 5th graders. He passed away on October 28, 2019 at age 70. (June 2021)

Akiyama,Nosuke

Rediscovery of Japanese culture through taiko (Japanese)

Shishimai (Lion dance) and Taiko player with San Francisco Taiko Dojo.

Shimomura,Roger

Grandfather's arrival in the U.S., experiencing discrimination

(b. 1939) Japanese American painter, printmaker & professor

Kanemoto,Marion Tsutakawa

Mother's immigration to U.S. as a treaty merchant

(b. 1927) Japanese American Nisei. Family voluntarily returned to Japan during WWII.

Kutsukake,Rose

Why her parents came to Canada

(1918-2004) Interned in Slocan during World War II. Active member of the Japanese Canadian community.

Sasaki,Fred

Family background of Fredrick Yoshihide Sasaki

(b. 1918) Issei businessman in Canada

Wakabayashi,Kimi

Arranged marriage

(b.1912) Japanese Canadian Issei. Immigrated with husband to Canada in 1931

Wakabayashi,Kimi

Her early life in Canada

(b.1912) Japanese Canadian Issei. Immigrated with husband to Canada in 1931

Ito,Mitsuo

Chose to go back to Japan

(b.1924) Japanese Canadian Nisei. Interpreter for British Army in Japan after WWII. Active in Japanese Canadian community

Kadoguchi,Shizuko

Choice to move east or go to Japan

(b.1920) Japanese Canadian Nisei. Established the Ikenobo Ikebana Society of Toronto

Endo,Kenny

Differences between Kinnara and San Francisco Taiko Dojo

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

Endo,Kenny

Being free of the tradition

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

Endo,Kenny

Collaborating with non-taiko groups

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

Tanaka,Seiichi

Coming to America

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

Tanaka,Seiichi

Lack of taiko at Cherry Blossom Festival

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

Tanaka,Seiichi

Reasons for starting taiko in America

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.