Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/356/

The reason he came to the United States (Japanese)

(Japanese) I was looking to go overseas, like America or some place. One day, I read in the newspaper that Sukeroku daiko performed in Brazil and set up a branch in America afterwards. That news got me all excited. I thought, “Hey, there might be a chance to play taiko in America.“ At that time, there was a song Under the Blue California Sky that swept the country. I thought, “Boy, how cool is that to play the Japanese taiko under that California sky.“ So I came over here in 1973 and stayed ever since.


California drum immigration migration taiko United States

Date: April 1, 2005

Location: California, US

Interviewer: Ann Kaneko

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Etsuo Hongo, a shin-issei, was born and raised in Tokyo, Japan. He began his taiko training there, and was exposed to the idea of taiko in the United States when he read a 1968 Japanese newspaper article about San Francisco Taiko Dojo. Almost immediately after he came to the United States in 1973, he searched out a place to play taiko. He attended the Long Beach Buddhist Temple obon, where he was given his first opportunity to play taiko in this country. Shortly thereafter, he traveled to South America, where he spent the subsequent year visiting various Nikkei communities and continuing to play taiko in local festivals.

After his travels in South America, Mr. Hongo decided to return to the United States where he started his gardening business. In 1977, he established Los Angeles Matsuri Taiko. He now has five groups—totaling some 100 students. The other four groups are L.A. Mugen Taiko (est. 1988), Venice Koshin Taiko (est. 1992), L.A. Taiko Okida Gumi (est. 1996), and El Marino Rainbow Taiko, an elementary school program for 2nd through 5th graders. He passed away on October 28, 2019 at age 70. (June 2021)

Ryoko Hokama
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Hokama,Ryoko

From Japan to Argentina (Japanese)

(b. 1917) Okinawan, Issei Argentinean

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Ryoko Hokama
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Hokama,Ryoko

Initial struggles with the language barrier (Japanese)

(b. 1917) Okinawan, Issei Argentinean

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Luis Yamada
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Yamada,Luis

Decision to settle in Argentina after WWII (Spanish)

(b. 1929) Nisei Argentinean

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Luis Yamada
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Yamada,Luis

Returning Argentina after the war (Spanish)

(b. 1929) Nisei Argentinean

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Henry Shimizu
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Shimizu,Henry

Government urged Japanese Canadians to go to Japan

(b. 1928) Doctor. Former Chair of the Japanese Canadian Redress Foundation.

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George Abe
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Abe,George

The Birth of Kinnara

(b. 1944) taiko and flute performer

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George Abe
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Abe,George

Taiko Community

(b. 1944) taiko and flute performer

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George Abe
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Abe,George

Pushing Taiko to the Limit

(b. 1944) taiko and flute performer

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George Abe
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Abe,George

Influencing Japan

(b. 1944) taiko and flute performer

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George Abe
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Abe,George

Japanese American Taiko

(b. 1944) taiko and flute performer

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Doris Moromisato
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Moromisato, Doris

The myth of the sacrifice of immigrants (Spanish)

(b. 1962) Peruvian Poet, Okinawan descendant

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Harunori Oda
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Oda,Harunori

Learning the nursery business

(1927-2016) Shin-Issei businessman

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Hiroshi Sakane
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Sakane,Hiroshi

On returning to post-war Peru (Japanese)

(b. 1948) Executive Director of Amano Museum

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Harunori Oda
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Oda,Harunori

Deciding to come to America

(1927-2016) Shin-Issei businessman

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Harunori Oda
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Oda,Harunori

Getting started in America

(1927-2016) Shin-Issei businessman

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