Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/303/

Japanese influence growing up

Both my parents were working—and basically our grandmother raised us and brought us up. She could speak very little English—probably could understand more than can speak. She would study the English with the textbooks that we brought home from grammar school along with us. But as children, she sang us the nursery songs from Japan, told us stories about the Momotaro. Once a month, they brought a Japanese movie, and usually it was the sword chambara, the sword play action movies. As a child, they were fun to watch, so I used to go with my grandmother to the church movies. So as children, we played cowboy and Indians, but also we played samurai with a stick in our belt serving as a sword. So unknowingly, there’s a lot of interaction with our Japanese background even though we felt in our school and in our upbringing that we were American.


Finding Home (film) identity

Date: November 28, 2003

Location: Saga, Japan

Interviewer: Art Nomura

Contributed by: Art Nomura, Finding Home.

Interviewee Bio

Robert Kiyoshi Okasaki, 61-year-old Yonsei (on his mother’s side) was born in French Camp, California, in 1942, just before his family was incarcerated during World War II at the Rowher concentration camp in Arkansas. After the war, Bob’s family lived in Stockton and later in Lodi, California, where his family had a vineyard.

Bob attended San Jose State College, eventually concentrating on pottery. Through the Study Abroad program, Bob became an apprentice to a potter, a Living National Treasure, in Japan where tableware is considered an art.

When Bob journeyed to Japan, he felt American, but now when comes home to the U.S., he does not feel American. He’s been married since 1975 to a Japanese woman and their first child was born in 1985. When he first arrived in Japan, recalls Bob, Japanese nationals treated him sometimes like “he was not all there” because of his lack of Japanese language. His relationship with his wife’s family has changed from an original relationship of caution to one of comfort, to the point where he now feels that her family is his family.(November 28, 2003)

Peter Mizuki
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Mizuki,Peter

Japanese wife with American citizenship

Sansei Japanese American living in Japan and Kendo practioner

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Mónica Kogiso
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Kogiso,Mónica

Nihongo gakko - Preserving Japanese culture (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

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Peter Mizuki
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Mizuki,Peter

Not wanting to stand out as a foreigner

Sansei Japanese American living in Japan and Kendo practioner

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Frank Yamasaki
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Yamasaki,Frank

Have compassion for all of humanity

(b. 1923) Nisei from Washington. Resisted draft during WWII.

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Mónica Kogiso
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Kogiso,Mónica

Identity crisis (Spanish)

(b. 1969) Former president of Centro Nikkei Argentino.

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Never sang Enka outside the family

(b. 1981) Enka Singer

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Fujima Kansuma
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Kansuma,Fujima

Both Japanese and American identities though Japanese dance

(1918-2023) Nisei Japanese kabuki dancer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Coming to Japan

(b. 1981) Enka Singer

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Vince Ota
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Ota,Vince

The reason to stay in Japan after his third year

Japanese American Creative designer living in Japan

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Aiko Yoshinaga Herzig
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Herzig,Aiko Yoshinaga

Results of being more American than Japanese

(1924-2018) Researcher, Activist

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Trying to convey the meaning of the songs

(b. 1981) Enka Singer

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Kenny Endo
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Endo,Kenny

Internship on a Native American reservation in Arizona

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

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Vince Ota
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Ota,Vince

Different tension between East Coast and Los Angeles

Japanese American Creative designer living in Japan

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Vince Ota
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Ota,Vince

Never being Japanese

Japanese American Creative designer living in Japan

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Vince Ota
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Ota,Vince

A stereotype of Japanese Americans

Japanese American Creative designer living in Japan

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